Published May 23rd, 2024 by Black & White Publishing
Historical Fiction, Historical Fantasy, Contemporary Fantasy, Science Fiction Alternative History
Today is my stop on the blog tour for this glittering and mesmerising novel. Thank you to Tracy at Compuslive Readers Tours for the invitation to take part, and to Flora at Black & White Publishing for the gifted proof copies of the book in exchange for my honest review.
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BOOK DESCRIPTION:
‘Marvellous’ Bridget Collins, The Sunday Times bestselling author of The Binding
Sometimes the greatest spectacle hides the darkest secrets . . .
In an alternate London, the city’s Theatre District is a walled area south of the river where an immersive production – the Show – has been running for centuries, growing ever bigger, more sprawling and lavish. The Show is open to anyone who can afford a ticket but the District itself is a closed world; even the police have no jurisdiction within its walls.
Juliet’s mother died when she was a baby. Brought up by her emotionally distant father and even more distant stepmother, she has never felt wanted. It’s only when her father passes away that Juliet – now nineteen – learns her birth was registered in the District. Desperate to belong somewhere at last, she travels to London where she hopes to unearth the truth about her identity, her mother’s death and her father’s years of silence – and claim her birthright.
But in the District, there is only one central truth: the Show must go on. And in a world where illusions abound, and powerful men control the narrative, Juliet has no idea of just how far some will go to ensure certain stories are never told . . .
For fans of The Miniaturist and The Doll Factory, The Theatre of Glass and Shadows is a place where nothing is as it seems.
‘Original and captivating’ Karen Coles, author of The Asylum
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MY REVIEW:
“There are all sorts of stories – well, fragments of stories really – about some people being let in in some way. That the Show is just the tip of the iceberg, with the real mysteries hidden below the surface…”
Luminous, breathtaking, and beguiling, The Theatre of Shadows is a mesmerising story that I never wanted to end. Set in an alternative London, the story follows 19-year-old Juliet who is searching for answers following her father’s death. She grew up feeling unwanted and unloved, raised by her distant father and stepmother after her mother’s death when she was just a baby. Her father refused to talk about her mother, leaving their past shrouded in secrets that seem destined to remain hidden. But when two detectives turn up asking questions, Juliet is determined to uncover the truth about her mother and her past. After discovering that her birth was registered in the Theatre District, she travels to London hoping to finally uncover the truth. But the Theatre District is a place of stories and illusion, where the only truth is ‘the Show must go on’. And, as Juliet is about to discover, there are some who will do anything to make sure that happens…
“As she crossed the river, the feeling of almost and so close was like electricity, sparking through her. This was every Christmas, every birthday, every magical thing that only happened to other people, all rolled together, and she could hardly breathe with the press of it inside her.”
Take a bow, Anne Corlett. A lush dreamscape, this was one of the best books I’ve read this year. It has that perfect combination of lyrical, poetic prose and page-turning momentum that you rarely find. There is also a quiet intensity to the story that tells you there is something sinister bubbling beneath the surface, of dark secrets hidden alongside the fairytales and fantasies told in the Theatre District. Ms. Corlett is a masterful storyteller and dreamweaver, expertly spinning together the gossamer threads of this intricately woven tale and the storytelling is so pitch-perfect that it actually unfolds like a piece of theatre that I could see in vivid technicolour. I loved the darkly mysterious aspect of this story and how I didn’t see some of the twists coming before they pulled the rug from under me. I was captivated, held in Corlett’s thrall from beginning to end as I devoured this glorious tale.
“The whole place was a dense, multi-layered tapestry… The various loops wove together to create a complex narrative, with a few main strands running through it all.”
At the heart of this book are two things: Juliet, and the Theatre District. Juliet is a flawed but realistic heroine who I was rooting for at every step. Her story is so heartrending that you can’t help but want her to find happiness and a place to belong after always feeling on the outside of her own family. But, while Juliet and the other characters are richly drawn and compelling, it is the Theatre District that feels like the star of the show. Cloaked in mystery, myth and secrets, the Theatre District is a glamorous tableau where hopes and dreams come true and magic and stories are embedded into every crevice. It is like a character in its own right, and Corlett made it come alive with spellbinding imagery that made me want to live inside this magical place she had created. The secretive nature of the real identity of its cast, its inner workings and the Show itself, along with the black masquerade mask that they require everyone to wear, adds to the enigmatic atmosphere that pervades it. There is a magnetism that is impossible to resist and from the moment she arrives, Juliet feels like she has finally found her home. Like her, I was enchanted by this unusual but also desperate to unlock the secrets it was hiding. This is a story ripe for an adaptation and I can imagine watching it over the festive period surrounded by the twinkling lights on the Christmas tree. So, I’m going to need someone to make it ASAP.
Glittering, soulful, haunting and evocative, this magnificent novel is one you won’t forget and I can’t recommend it highly enough.
Rating: 🎭🎭🎭🎭🎭
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MEET THE AUTHOR:
Anne is originally from the north-east, but somehow slid down the map and finished up in a small village near Bath, where she lives with her partner and three sons. She has an MA in English Language and Linguistics from Edinburgh University, and an MSt in Linguistics from Oxford University. During her postgraduate studies, she worked as an etymologist and proofreader for a dictionary, carrying out research at the Bodleian Library.
Armed with her linguistics-related degrees and work experience, Anne took the somewhat illogical next step and became a criminal lawyer. In 2011, after several years spent working in the London courts and police stations, Anne remembered that she’d actually planned to be a writer, and commenced work on her first novel. This was slightly unfortunate timing, given that she was right in the middle of relocating to Somerset with her family, who seemed to feel that a little less novel-writing and a little more packing might be warranted. They probably had a point.
Over the next couple of years Anne fitted writing work around her day job as a solicitor. Her writing has appeared in various newspapers, magazines and anthologies, and has won various awards.
In 2016, The Space Between the Stars was published by Pan Macmillan in the UK and Random House in the US. She wrote most of this novel while studying for a Creative Writing MA at Bath Spa University. Her second novel, The Theatre of Glass and Shadows, will be published in May 2024 by Bonnier.
Anne enjoys working with other writers, through editing, mentoring and teaching. For more information about her services, please get in touch using the contact form.
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BUY THE BOOK:
Waterstones* | Bookshop.org* | Amazon*
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Thanks for reading, Bibliophiles xxxx
Please check out the reviews from the other bloggers taking part in the blog tour.