Welcome to First Lines Friday where I share the first lines from one of the books on my shelves to try and tempt you to add it to yours.
“My little nephew, Ivan is innocent — he’s a baby, and as pure as only a one-year-old can be. But tonight, at my order, the infant Tsar will be declared guilty as charged.”
Today’s first lines come from one of my most anticipated books this year, The Tsarina’s Daughter by Ellen Alpsten.
Recently I was fortunate to win an amazing giveaway of a proof copy of the book and a bottle of champagne. Thank you to Bloomsbury Publishing & Midas PR for my giveaway prize. I was so excited when it arrived yesterday and am eager to dive into the book.
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SYNOPSIS:
When they took everything from her, they didn’t count on her fighting to get it back…
Born into the House of Romanov to the all-powerful Peter the Great and Catherine I, beautiful Tsarevna Elizabeth is the world’s loveliest Princess and the envy of the Russian empire.
Insulated by luxury and as a woman free from the burden of statecraft, Elizabeth is seemingly born to pursue her passions. However, a dark prophecy predicts her fate as inexorably twined with Russia. When her mother dies, Russia is torn, masks fall, and friends become foes. Elizabeth’s idyllic world is upended. By her twenties she is penniless and powerless, living under constant threat.
As times change like quicksand, an all-consuming passion emboldens Elizabeth: she must decide whether to take up her role as Russia’s ruler, and what she’s willing to do for her country – and for love.
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Doesn’t that sound amazing?! The Tsarina’s Daughter is the follow up to Tsarina, which was one of my favourite books of 2020. You can read my review here.
Published July 8th, you can order a copy of the book here* (this is an affiliate link)
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Thanks for reading Bibliophiles. See you next week for more first lines xxx
Welcome to First Lines Friday where I share the first lines from one of the books on my shelves to try and tempt you to add it to yours.
“She holds her hands up as if in prayer, steam evaporating from her skin. The water laps at her neck as she lies back into its warmth. Laughter and female voices surround her, a confusion of sound echoing off the stone. She filters it out, focusing on her fingers turning them, watching the water drip down, the steam rise. They could be anybody’s hands, she thinks, they could belong to anybody. But they belong to Felix.”
Today’s first lines are taken from The Wolf’s Den by Elodie Harper, the stunning debut that was published yesterday.
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SYNOPSIS:
Sold by her mother. Enslaved in Pompeii’s brothel. Determined to survive. Her name is Amara. Welcome to the Wolf Den…
Amara was once a beloved daughter, until her father’s death plunged her family into penury. Now she is a slave in Pompeii’s infamous brothel, owned by a man she despises. Sharp, clever and resourceful, Amara is forced to hide her talents. For now her only value lies in the desire she can stir in others.
But Amara’s spirit is far from broken. By day, she walks the streets with the Wolf Den’s other women, finding comfort in the laughter and dreams they share. For the streets of Pompeii are alive with opportunity. Out here, even the lowest slave can secure a reversal in fortune. Amara has learnt that everything in this city has its price. But how much is her freedom going to cost her?
Set in Pompeii’s lupanar, The Wolf Den is the first in a trilogy of novels reimagining the lives of women who have long been overlooked. Perfect for fans of Pat Barker’s The Silence of the Girls and Madeline Miller’s Circe.
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This is one of my most anticipated reads this year and I’m so excited to read it, particularly after attending last night’s Zoom event ‘Myths and Legends’ with the author. This book is also our first pick for the SquadPod Book Club, which starts next month. I can’t wait to finally read it alongside fellow book lovers. Click on the social media links below for more information and to join in.
Happy Publication Elizabeth Macneal! I’m thrilled to be sharing my review of this dazzling novel today.
SYNOPSIS:
The spellbinding novel from the author of the Sunday Times bestselling The Doll Factory. ‘An absolute triumph. Exquisitely written, intensely satisfying’ – Stacey Halls, author of The Familiars
1866. In a coastal village in southern England, Nell picks violets for a living. Set apart by her community because of the birthmarks that speckle her skin, Nell’s world is her beloved brother and devotion to the sea.
But when Jasper Jupiter’s Circus of Wonders arrives in the village, Nell is kidnapped. Her father has sold her, promising Jasper Jupiter his very own leopard girl. It is the greatest betrayal of Nell’s life, but as her fame grows, and she finds friendship with the other performers and Jasper’s gentle brother Toby, she begins to wonder if joining the show is the best thing that has ever happened to her.
In London, newspapers describe Nell as the eighth wonder of the world. Figurines are cast in her image, and crowds rush to watch her soar through the air. But who gets to tell Nell’s story? What happens when her fame threatens to eclipse that of the showman who bought her? And as she falls in love with Toby, can he detach himself from his past and the terrible secret that binds him to his brother?
Moving from the pleasure gardens of Victorian London to the battle-scarred plains of the Crimea, Circus of Wonders is an astonishing story about power and ownership, fame and the threat of invisibility.
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MY REVIEW:
“It is as if someone has taken a paintbrush and run it from her cheekbone to her chin, splashed tiny flecks of brown paint across the rest of her face and neck. He should look away, but he can’t. He cannot believe that this quiet village could contain someone so extraordinary.“
Elizabeth Macneal has done it again. Circus of Wonders is an absolute masterpiece. Captivating, illuminating and transportive, Macneal had me in the palm of her hands from beginning to endas I absorbed this marvelous dazzling tale.
When you fall in love with an author and their debut novel there is always some trepidation that accompanies the excitement of reading their second novel. But Macneal has once again crafted something special. Exquisitely written and richly drawn, she paints an evocative picture that spirits you away to a world that has drifted away into history. With great attention to detail she immerses you in the sights and sounds of Victorian life, making you feel like you are right there beside Nell and the others.
“How can she do that, Nell wonders; how can she beat to make a feature of her own difference, to stare the world in the eye?”
This is a book filled with a cast of fabulous and varied characters that are all outcasts, battling inner demons and searching for acceptance. Written with sensitivity and realism, the author draws them so vividly that they dance before your eyes as if you’re watching them on a movie screen. I adored Nell. She is a fantastic protagonist and I loved how the author really builds her character before the circus becomes a big part of the story. Allowing us to get to know her and her backstory straight away builds a rapport between her and the reader, creates empathy for the heartbreak, pain and longing she feels, and helps us to understand her feelings and actions later in the story. Toby is another great character. The relationship between him and his brother Japer – the villain of the story – is mysterious and complex. But through glimpses of their childhood and their time on the battlefield during the Crimean War, we slowly have a greater understanding of their relationship and of them as individuals.
“There’s more than one way to tell a story.”
The author weaves a number of recurring themes throughout the story: love, belonging, self-acceptance, redemption, the power of storytelling and of who controls the narrative, that are explored in a variety of ways. For example, Nell starts out as a pariah who tries to live a life in the shadows unseen. But through the acceptance and friendship of the other wonders at the circus, and the fame she finds as Nellie Moon, she not only begins to accept herself, but she soars. She is a butterfly emerging from her chrysalis, illuminated and spectacular, and discovers there is a power in being different. She also finds that it opens the door to something else she never thought possible: love.
Spellbinding, intoxicating, atmospheric and consuming, this is a story about what it is to be human. I was lost in the world she created and didn’t want to go back to reality when it was finished. It is something truly special.
Rating: ✮✮✮✮✮
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MEET THE AUTHOR:
Elizabeth Macneal was born in Scotland and now lives in East London. She is a writer and potter and works from a small studio at the bottom of her garden. The Doll Factory, Elizabeth’s debut novel, was a Sunday Times bestseller, has been translated into twenty-nine languages and has been optioned for a major television series. It won the Caledonia Novel Award 2018. Circus of Wonders is her second novel.
In Tokyo – one of the world’s largest megacities – a stray cat is wending her way through the back alleys. And, with each detour, she brushes up against the seemingly disparate lives of the city-dwellers, connecting them in unexpected ways.
But the city is changing. As it does, it pushes her to the margins where she chances upon a series of apparent strangers – from a homeless man squatting in an abandoned hotel, to a shut-in hermit afraid to leave his house, to a convenience store worker searching for love. The cat orbits Tokyo’s denizens, drawing them ever closer.
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MY REVIEW:
This delightful book was not at all what I was expecting. I thought it was going to be a book from the cat’s perspective about it’s life and experiences in Tokyo, but instead found myself reading a collection of short stories featuring different narrators set throughout the city that each feature appearances from the same stray calico cat.
While they appear at first to be connected only by the cat, the author skillfully interweaves the stories and characters, intricately connecting them to craft a rich and vivid tapestry of Tokyo and it’s residents. The book is filled with a cast of fantastic and captivating characters. The most memorable ones for me were Flo, an American woman working as a translator, and Kensuke, a young boy being bullied at school for being half Korean. My only complaint is that we don’t see enough of the cat. While I liked reading about the residents of Tokyo, I would have liked a chapter from his perspective or more of him in their stories.
You are taken through a rainbow of emotions as the author fills the stories with heartbreak, hope, humour and tenderness. He takes you on an adventure of the best and worst that this city has to offer, touching on subjects such as the moral standards in Japanese culture, sexuality, homelessness and loneliness, expertly blending them in amongst the lighthearted aspects of the stories such as cute cat cafes, Street Fighter and manga comics.
Moving, original, immersive and evocative, this striking debut brings Tokyo to life. Wonderfully written and surprising, I devoured it in just a few hours. I would highly recommend this book, especially if you’re looking for something a little different.
Rating: ✮✮✮✮✰
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MEET THE AUTHOR:
Nick Bradley was born in Germany in 1982 and grew up in Bath. After graduating with a master’s degree in English literature, he went to Japan for “just one year” and returned to England ten years later to attend the Creative Writing MA at UEA, graduating in 2016.
He has worked in a variety of jobs, including: Japanese teacher, English teacher, video game translator, travel writer, and photographer. He speaks Japanese fluently, and recently completed a PhD funded by the Great Britain Sasakawa Foundation in Creative & Critical Writing at UEA, focussing on the figure of the cat in Japanese literature.
Welcome to First Lines Friday: Flashback, where on the first Friday of the month I share the first lines from one of the older books on my shelves and try to tempt you to add it to yours.
“The morning one of the lost twins returned to Mallard, Lou LeBon ran to the diner to break the news, and even now, many years later, everyone remembers the shock of sweaty Lou pushing through the glass doors, chest heaving, neckline darkened with is own effort. The barely awake customers clamored around him, ten or so, although more would lie and say they’d been there too, if only to pretend that this once, they’d witnessed something truly exciting. In that little farm town, nothing surprising every happened, not since the Vignes twins had disappeared. But that morning in April 1968, on his was to work, Lou spotted Desiree Vignes walking along Partridge Road carrying a small leather suitcase.”
Today’s first lines are taken from The Vanishing Half by Brit Bennett, which is one of the books shortlisted for the Women’s Prize for Fiction 2021. It’s been on my shelf since it’s release in June last year and is one of the 21 books I’ve committed to reading from my backlist this year.
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SYNOPSIS:
The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it’s not just the shape of their daily lives that is different as adults, it’s everything: their families, their communities, their racial identities. Ten years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other secretly passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters’ story lines intersect?
Weaving together multiple strands and generations of this family, from the Deep South to California, from the 1950s to the 1990s, Brit Bennett produces a story that is at once a riveting, emotional family story and a brilliant exploration of the American history of passing. Looking well beyond issues of race, The Vanishing Half considers the lasting influence of the past as it shapes a person’s decisions, desires, and expectations, and explores some of the multiple reasons and realms in which people sometimes feel pulled to live as something other than their origins.
You can buy the book here* *This is an affiliate link
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Have I tempted you to add this one to your shelves? Or have you already read it? Let me know in the comments.
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Thank you to Dialogue Books for the gifted copy of the book.
Published: April 29th, 2021 Publisher: Wildfire Format: Hardcover, Kindle, Audio Genre: Historical Fiction, Fairy Tale
SYNOPSIS:
A mesmerising retelling of the ancient Greek myth of Theseus and the Minotaur. Perfect for fans of CIRCE, A SONG OF ACHILLES, and THE SILENCE OF THE GIRLS.
As Princesses of Crete and daughters of the fearsome King Minos, Ariadne and her sister Phaedra grow up hearing the hoofbeats and bellows of the Minotaur echo from the Labyrinth beneath the palace. The Minotaur – Minos’s greatest shame and Ariadne’s brother – demands blood every year.
When Theseus, Prince of Athens, arrives in Crete as a sacrifice to the beast, Ariadne falls in love with him. But helping Theseus kill the monster means betraying her family and country, and Ariadne knows only too well that in a world ruled by mercurial gods – drawing their attention can cost you everything.
In a world where women are nothing more than the pawns of powerful men, will Ariadne’s decision to betray Crete for Theseus ensure her happy ending? Or will she find herself sacrificed for her lover’s ambition?
ARIADNE gives a voice to the forgotten women of one of the most famous Greek myths, and speaks to their strength in the face of angry, petulant Gods. Beautifully written and completely immersive, this is an exceptional debut novel.
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MY REVIEW:
“I am Ariadne, Princess of Crete, though my story takes us a long way from the rocky shores of my home.”
Ariadne is quite simply a masterpiece. Lush and evocative, it is a rich tapestry that brings to life many of the famous Greek myths through a new lens; telling them from the perspective of the women. Narrated by Ariadne and her sister, Phaedra, we follow the sisters from their childhood days as Princesses of Crete, a time of innocence when they acquiesce to the life and duties expected of them, and watch their metamorphosis as their naivete evaporates and they grow into tenacious, feisty and formidable women.
I knew very little about Greek mythology and recognised snippets of the myths retold in this book but I had never heard the story of Theseus, Ariadne and the Minotaur. I was hooked; totally obsessed and savouring every word as I luxuriated in this book. Illuminating, captivating and educational, this was a revelatory experience for me and left me desperate to learn more about the subject.
“What I did not know was that I had hit upon a truth of womanhood: however blameless a life we led, the passions and the greed of men could bring us to ruin, and there was nothing we could do.”
A commentary on womanhood, female agency and what it is like to live in a man’s world, the author gives a voice to the forgotten women who were merely pawns. These women were forced to endure pain and punishment for the whims of men and gods, something Ariadne learns from a young age. The author explores myths such as Medusa and the Minotaur to show how it is the women who are punished by the gods, not the wrongdoer. The rage that burns in the women is anger I recognise at the injustice of female punishment for a man’s crimes. It feels very timely, especially with the ongoing discussions surrounding the #metoo movement and our culture of victim blaming.
“No longer was my world one of brave heroes; I was learning all too swiftly the women’s pain that throbbed unspoken through the tales of their feats.”
An accomplished and spectacular debut from an exciting new talent, this book is exquisitely and meticulously written. The author vividly paints the world of gods and mortals as she sweeps you away to the golden shores of Naxos and Crete. The depth of her research is palpable and makes it all feel unquestioningly real as we are immersed in this mesmerising world.
Luminous, atmospheric, breathtaking and unforgettable, when I finished this book I was lost for words and felt bereft at leaving the characters behind. A truly phenomenal story that everyone needs to read, even if you’ve never been interested in Greek mythology before. READ IT NOW!
Rating: ✯✯✯✯✯
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MEET THE AUTHOR:
Jennifer Saint grew up reading Greek mythology and was always drawn to the untold stories hidden within the myths. After thirteen years as a high school English teacher, she wrote ARIADNE which tells the legend of Theseus and the Minotaur from the perspective of Ariadne – the woman who made it happen. Jennifer Saint is now a full-time author, living in Yorkshire, England, with her husband and two children.
Thank you to Anne at Random Things Tours for the invitation to take part in this blog tour and to Wildfire for my gifted ARC. Please check out the reviews from the other bloggers taking part in the tour.
Published: April 27th, 2021 Publisher: Jo Fletcher Books Genre: Historical Fiction, Fantasy Fiction, Romantic Fantasy Format: Hardcover, Kindle, Audio
Happy Publication Day to this beautiful book!
SYNOPSIS:
From the New York Times bestselling author of Mexican Gothic comes a sweeping romance rich with love and betrayal, with more than a dash of magic.
‘One of the most beautiful books I’ve read in a long time’ MJ Rose, New York Times bestselling author of the Reincarnationalist series
They are the Beautiful Ones, Loisail’s most notable socialites, and this spring is Nina’s chance to join their ranks, courtesy of her well-connected cousin and his calculating wife. But the Grand Season has just begun and already Nina’s debut has gone disastrously awry. She has always struggled to control her telekinesis: the haphazard manifestations of her powers have long made her the subject of gossip – malicious neighbours even call her the Witch of Oldhouse.
But Nina’s life is about to change, for there is a new arrival in town: Hector Auvray, the renowned entertainer, who has used his own telekinetic talent to perform for admiring audiences around the world. Nina is dazzled by Hector, for he sees her not as a witch, but ripe with magical potential. Under his tutelage, Nina’s talent blossoms – as does her love for the great man.
But great romances are for fairy-tales, and Hector is hiding a secret bitter truth from Nina – and himself – that threatens their courtship.
The Beautiful Ones is a charming tale of love and betrayal and the struggle between conformity and passion, set in a world where scandal is a razor-sharp weapon.
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MY REVIEW:
“Nothing matters more than money to us, the Beautiful Ones who walk down these city streets in pristine gloves and silk-lined garments. You can give yourself the luxury of love because you are not one of us.”
The Beautiful Ones is a story of love, betrayal, society and duty. A love story that is familiar to us all: girl meets boy, girl falls in love, boy is in love with someone else, that someone else doesn’t deserve his love, all set in an Austen-esque era against a backdrop of high society inhabited by the Beautiful Ones, Losail’s elite socialites and the group that everyone wants to be part of.
I was instantly captured by the book’s beautiful cover and intriguing synopsis, as well as rave reviews of the author’s back catalogue. It lives up to the expectation of beauty; from the glorious cover to the luxurious prose and evocative imagery. The lush, poetic prose washed over me as I read, immersing me in the opulent world of Losail’s high society. It is a world of plenty, where reputation is everything and there are rules they are expected to abide by, where scandals are feared and brandished as weapons in their power games.
But while I was captured by its beauty, it did feel like there was something missing that prevented me from falling in love with this book. I felt like I was a little mis-sold on the magical elements of this story. It didn’t feel like there was really any fantasy element and while it is the thing that draws Hector and Nina to one another, it seemed like it had no real impact on the story. I was disappointed as I was looking forward to this part of the book, but think it would have been better to either remove it, or focus on it more.
My favourite character was Nina – a sweet, innocent, naive and romantic young girl. She doesn’t accept the boundaries and expectations of society, instead pushing back and being determined to be herself. I loved this about her and it made me root for her from the start. Hector is the first person she has met who not only accepts her for who she is, but also sees her powers as something wonderful to be nurtured. So it is hardly a surprise when she falls head over heels in love with him. I found Hector to be a nuanced character that I had mixed feelings for. But I did like his arc over the course of the book and enjoyed him and Nina together, how she helped him want to be a better person, and the things they taught each other.
Valerie is the villain of the story. Though outwardly she is described as the most beautiful creature anyone has ever seen, it is quickly apparent that darkness lurks beneath her beauty. Rotten, vicious and vile, she will stop at nothing to get what she wants and takes pleasure in hurting those in her way. She was brilliantly written, as were the rest of this eclectic cast of characters that inhabited Losail.
An issue at the heart of this book is how the women have no real agency, their families expecting them to acquiesce to their wishes even at the cost of their own happiness. The author explores this through our two main female characters, giving them very different experiences. Valerie was forced to marry someone she didn’t like out of duty to her family, while Nina is given the freedom to choose who she would like to marry. This makes an impact of how they see the world, giving them diverging views on life and shaping their overall character. I found this both fascinating and heart-rending. It was impossible not to feel sad for Valerie at the path she’d been forced to take and the unhappiness it had brought her, though I still feel her villainy was a choice she made.
Entertaining and dramatic, this is a beautifully written love story that I would recommend if you enjoy historical or romantic fiction. I’m looking forward to reading more from this author in the future.
Rating: ✮✮✮.5
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MEET THE AUTHOR:
Mexican by birth, Canadian by inclination. Silvia Moreno-Garcia’s debut novel, Signal to Noise, about music and magic, won a Copper Cylinder Award. Gods of Jade and Shadow was the 2020 American Library Association Reading List winner in the Fantasy category and won the 2020 Sunburst Award for Excellence in Canadian Literature of the Fantastic. Mexican Gothic won a Pacific Northwest Book Award and made many best of the year lists.
She has edited several anthologies, including She Walks in Shadows (World Fantasy Award winner, published in the USA as Cthulhu’s Daughters), and others. Silvia is the publisher of Innsmouth Free Press. She co-edited the horror magazine The Dark with Sean Wallace from 2017 to 2020. She’s a columnist for The Washington Post and reviews books for NPR.
She has an MA in Science and Technology Studies from the University of British Columbia. Her thesis can be read online and is titled “Magna Mater: Women and Eugenic Thought in the Work of H.P. Lovecraft.”
Thank you to Jo Fletcher Books for the invitation to take part and the gifted copy of the book. Please check out the reviews from the other bloggers taking part.
Published: April 29th, 2021 Publisher: Michael Joseph Genre: Historical Fiction, Psychological Fiction Format: Hardcover, Kindle, Audio
SYNOPSIS:
The sky is clear, star-stamped and silvered by the waxing gibbous moon.
No planes have flown over the islands tonight; no bombs have fallen for over a year.
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Orkney, 1940. Five hundred Italian prisoners-of-war arrive to fortify these remote and windswept islands. Resentful islanders are fearful of the enemy in their midst, but not orphaned twin sisters Dorothy and Constance. Already outcasts, they volunteer to nurse all prisoners who are injured or fall sick.
Soon Dorothy befriends Cesare, an artists swept up by the machine of war and almost broken by the horrors he has witnessed. She is entranced by his plan to build an Italian chapel from war scrap and sea debris, and something beautiful begins to blossom.But Con, scarred from a betrayal in her past, is afraid for her sister; she knows that people are not always what they seem.
Soon, trust frays between the islanders and outsiders, and between the sisters – their hearts torn by rival claims of duty and desire. A storm is coming…
In the tradition of Captain Corelli’s Mandolin, The Metal Heart is a hauntingly rich Second World War love story about courage, brutality, freedom and beauty and the essence of what makes us human during the darkest of times.
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MY REVIEW:
Oh, my heart. This book is something truly beautiful. From the moment I read the chilling, tense and gripping prologue, I knew this was going to be something special, that this was going to be one of the best books I’ve read this year. But I was unprepared for just how magnificent it would be. I was mesmerised, lost in the pages, breathing the author’s words in like I needed them for my own survival. This book has reached into my soul and taken up residence there.
This is a story of love, sacrifice, fear and survival set against the backdrop of war. It explores how joy and hope can be found in the most unexpected and darkest of places, and how those who should be our enemies might turn out to be a friend. It is a story of star-crossed lovers, perfectly capturing the heady feeling of falling in love, the power of passion, and the hopefulness new romance brings. She has taken the true story of the building of the Orkney Cathedral and crafted a spellbinding story and compelling, richly drawn cast of characters that feel completely real. It is exquisitely written, with a cinematic quality that made me feel like I was watching everything happen in vivid technicolour. It was like I was right there, living every moment alongisde the characters.
Another theme that ran through this book was prisons. Selkie Holm is a prison twice over; an enforced one for the POWs and a chosen one for the sisters. There are also emotional and mental prisons, such as the ones Con’s trauma has put her in, and the prison that Dot has made for herself in order to help protect her sister. We also see how Dot, Con and Cesare all have a desire to escape their prisons; to live, be free, and find happiness. But they are all bound by their shackles, be they metal or mental, and don’t know how to break themselves free.
I loved the trio of narrators and the different perspectives they brought to the story. I was totally invested in Dorothy and Cesare’s love story and was rooting for them to have their happy-ever-after, even against seemingly insurmountable odds. I liked how different they were yet how they fit together so perfectly, overcoming language barriers and hailing from countries that are sworn enemies. While their feelings for each other are immediate, I liked that the author wrote their story slowly as it made it believable.
I admit, at first I did wonder why Constance had been given as much of a voice as Dorothy and Cesare, seeing as this was their story. But it soon became clear that she had a vital perspective and role to play in what transpired. I liked how her perspective, experience and relationship with her sister tempered the joy and excitement of the lovebirds, adding a layer of tension and unease that seems partly an overreaction, but is also understandable given the trauma she’s experienced. I also liked how it showed us a real selflessness to Dot’s character as she weighed up her loyalty to her sister against her own desires.
But it isn’t just the narrators who make this story what it is. The background cast are as important to propelling the story forward, and the backdrop is a character in itself; the vivid imagery of this bleak, unwelcoming place, creating a claustrophobic atmosphere where there is no escape, only helplessness and despair.
Hauntingly atmospheric, addictive and breathtaking, this novel reminds of the best and worst of humankind, shattering your heart and then giving you hope again. I can’t recommend this enough and even after days of agonising over this review, I worry I haven’t done justice to this phenomenal novel.
YOU NEED TO READ THIS BOOK!
Rating: ✮✮✮✮✮
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Some of the photos from the author’s research trip to Orkney as shared on her Twitter account.
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MEET THE AUTHOR:
Caroline Lea grew up in Jersey and gained a First in English Literature and Creative Writing from Warwick University, where she now teaches writing. Her fiction and poetry have been shortlisted for the Bridport Prize, and The Glass Woman was shortlisted for the HWA Debut Crown.
Thank you to Michael Joseph for the invitation to take part in this tour and the gifted ARC. Please check out the reviews from the other bloggers taking part.
Thanks for reading Bibliophiles. Until next time, Emma xxx
Welcome to First Lines Friday where I share the first lines from one of the books on my shelves to try and tempt you to add it to yours.
“February 1886. Before the lost word, there was another. It arrived at the Scriptorium in a second-hand envelope, the old address crossed out and Dr Murray, Sunnyside, Oxford, written in its place. It was Da’s job to open the post and mine to sit on his lap, like a queen on her throne, and help him ease each word out of its faded cradle.”
Those intriguing first lines are from a book that I’ve been highly anticipating ever since first hearing about it last year. That book is…
The Dictionary of Lost Words by Pip Williams, which was released on April 8th.
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SYNOPSIS:
In 1901, the word ‘bondmaid’ was discovered missing from the Oxford English Dictionary. This is the story of the girl who stole it.
Motherless and irrepressibly curious, Esme spends her childhood in the Scriptorium, a garden shed in Oxford where her father and a team of lexicographers are gathering words for the very first Oxford English Dictionary.
Esme’s place is beneath the sorting table, unseen and unheard. One day, she sees a slip containing the word ‘bondmaid’ flutter to the floor unclaimed.
Over time, Esme realises that some words are considered more important than others, and that words and meanings relating to women’s experiences often go unrecorded. She begins to collect words for another dictionary: The Dictionary of Lost Words.
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Doesn’t that sound fantastic? I’ve read lots of great reviews for this book already and it is definitely high on my tbr.
You can buy the book here* *This is an affiliate link
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Thanks for reading Bibliophiles. See you next week for more first lines xxx
London, 1665. Hidden within the growing pile of corpses in his churchyard, Rector Symon Patrick discovers a victim of the pestilence unlike any he has seen before: a young woman with a shorn head, covered in burns, and with pieces of twine delicately tied around each wrist and ankle.
Desperate to discover the culprit, Symon joins a society of eccentric medical men who have gathered to find a cure for the plague. Someone is performing terrible experiments upon the dying, hiding their bodies amongst the hundreds that fill the death carts.
Only Penelope – a new and mysterious addition to Symon’s household – may have the skill to find the killer. Far more than what she appears, she is already on the hunt. But the dark presence that enters the houses of the sick will not stop, and has no mercy…
This hugely atmospheric and entertaining historical thriller will transport readers to the palaces and alleyways of seventeenth-century London. Perfect for fans of Laura Shepherd-Robinson, Andrew Taylor and C.J. Sansom.
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MY REVIEW:
Hear ye! Hear ye! The society for the prevention and cure of the plague is now in session. And they’re hunting for a killer. Could he be closer than they think?
London, 1655. The Bubonic Plague is spreading and the number of corpses piled in the churchyard grows each day. But the virus isn’t the only killer stalking the city. There is another threat hidden in their midst. One that lingers in the shadows hunting its prey just waiting for the perfect time to strike. Someone is murdering the dying; kidnapping those suffering from the plague and subjecting them to horrific experiments.
Rector Symon Patrick is the one to first notice the strange marks on some of the dead in his parish. Together with Penelope, a mysterious young woman who recently joined his household, and a group of medical professionals calling themselves the plague society, he sets out to find the merciless killer.
A gripping whodunit with a sinister and supernatural twist, this is an outstanding debut. Valentine transports you back to a time of death and peril, taking you on a journey through the filthy, pestilence-ridden streets of London. Her vast knowledge and research on this subject and time period is clearly shown in the societal, cultural and medical details she has woven into the story. The imagery is so vivid that you can almost smell the rot and decay in the air as the virus ravishes the population.
It starts at a steady pace, slowly building up the mystery and tension. There is a creeping malice woven through the pages as the barbaric killer commits gruesome acts of torture on already suffering victims. We know he is a cunning predator, so disturbed that he believes himself to be doing good, but everything else is a guessing game where we are almost as clueless as Symon and Penelope. Everyone is a suspect, and I had no one suspect in my mind even as we approached the big reveal.
Most of the novel’s fascinating and memorable characters are based on real historical figures, adding to its air of authenticity. The protagonist, Symon, is a hapless sleuth who bumbles his way through the investigation. He isn’t even focused on his job as rector, instead more concerned with his complicated romance with a married woman. It is Penelope, the mysterious woman who has made herself a place in his household. Feisty, resilient and courageous, she was my favourite character. I loved how she was the total opposite of Symon and the driving force in the investigation, propelling things forward when he and the other members of the plague society would have just allowed things to happen.
Atmospheric, haunting, compelling and darkly humorous, I lost myself in this book, relishing every word as I indulged my deep fascination with this time period and my love of historical and gothic mysteries. A delight for anyone who enjoys the genre, don’t miss this eerie tale.
Rating: ✮✮✮✮✰
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MEET THE AUTHOR:
V.L. Valentine is a senior science editor at National Public Radio in Washington, D.C., where she covers infectious disease outbreaks such as the coronavirus pandemic, Ebola and the Zika. She has a master’s in the history of medicine from University College London. Her non-fiction work has been published by NPR, The New York Times, The Smithsonian Channel and Science Magazine.
Thank you to Viper Books for the invitation to take part and the gifted copy of the book. Please check out the reviews from other bloggers on the tour.
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Thanks for reading Bibliophiles. Until next time, Emma xxx
Emma's Biblio Treasures 