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SQUADPOD SANTEMBER – Extract: The Disassembly of Dorren Durand by Ryan Collett

Published: May 13th, 2021
Publisher: Sandstone Press
Genre: General Fiction
Format: Hardcover, Kindle, Audiobook

As part of the Squadpod’s Sandtember, I’m featuring an extract from The Disassembly of Doreen Durant on the blog today. Thank you to Sandstone for the extract and proof.

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SYNOPSIS:

From her apartment window, Doreen Durand witnesses a horrific accident.
The police want to know what she saw. Doreen doesn’t want to tell them – or anyone. But when she runs away it’s straight into the fantastic world of the wealthy and mysterious Violet Cascade. With one rogue police officer in pursuit, and life becoming more bizarre by the day, Doreen is caught up in a surreal game of cat and mouse.

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EXTRACT:

Chapter One.

The first weekend after Whitney left, a man showed up at the apartment unannounced. He knocked on the door too many times in a row, then rang the doorbell. Doreen ignored it at first – slightly scared, but also sleepily negligent – but when he drilled one more ungodly time on the doorbell, she pushed her hair around into something not haphazard, slipped on a pair of sweatpants, and answered it.
‘Whitney, right?’ said an older, grizzled man. He wore a stained t-shirt that wrapped too-tight around his globe of a gut and extended a callused hand in greeting. ‘I’m Jack.’
‘Sorry, no,’ said Doreen, not saying her name and not taking his hand. 
‘I’m here for the couch.’
‘The couch? What?’
‘You must be the roommate. Whitney gave me the address. I’m here for the couch you girls were selling.’
Doreen looked over her shoulder at the sofa in the living room, one of the few things Whitney had left. There was the sofa, a coffee table, an empty TV stand, and not much else. ‘I didn’t know she was selling it,’ Doreen said to the sofa. Jack craned his neck to try to see around her. 
‘I’m sorry, I don’t want to cause a fuss,’ he said. ‘She posted an ad for the couch the other day. I said I was interested and we made a deal over email. I already sent her a hundred bucks – pretty good deal for a couch that nice. She said this morning would be a good time to pick it up. She said you might be the only one here, but it was fine to stop by.’ 
‘Right,’ said Doreen. She picked at nothing behind her ear and squinted at the man. ‘I guess, yeah, you have to take it. Sure.’
Jack called down to a younger man who had been waiting in a pickup truck in the parking lot and the two of them came inside, thudding across the living room carpet in heavy, dusty boots, Saturday-sweaty. They lifted the long sofa, but struggled to shimmy it out the front door. The apartment was built in the seventies – Whitney said she had had to sign a waiver about lead paint or something – and its age showed whenever furniture was moved around like this. The floor creaked, the walls were too easily scuffed. The wood around the doorframe might as well have been made of fabric and seemed to stretch around the sofa squeezing through. 
‘That’s it. There we go,’ said Jack. They marched it down to the pickup and threw it in the back. After they had it secured, Jack turned and nodded a mannish goodbye up at Doreen on the balcony, who shrugged and went back inside. 
A brighter rectangle of carpet remained where the couch had been. Whitney had bought it, so she had sold it. That was it. Logic, running its course around Doreen like a river running dry. 
What else had she bought? Doreen paced around and took inventory of all the things in her life that were not her own and could also vanish without warning. It was true, she hadn’t bought any of the furniture in the apartment – Whitney had been living there for almost a year before she came along – but the sudden removal was still jarring. For a minute, it felt like her life was being uprooted without her, but that was followed quickly by the realization that these roots were never hers to begin with.
This scene repeated itself all weekend and the following weekend as well. With no warning, strangers showed up at the apartment asking for Whitney, explaining the transaction they had made and requesting entry. One after the other, the coffee table, the TV stand, the kitchen table and chairs, the decorative poufs, a mirror – all disappeared, taken away by strangers – men and women of varying ages and degrees of inclination towards small talk, like ants touring the shell of some dead animal, taking what they needed. 
After the second weekend of this, Doreen still hadn’t communicated with Whitney. An aggressive-aggressive text message would have been more than appropriate to send by now, but she didn’t. 
It wasn’t that she was actively refusing to communicate – the idea of reaching out, of snidely asking if anyone else would be coming by, just wasn’t there to be had. She sat on the carpet in the empty living room alone and did nothing while the dwelling around her disappeared. The trappings of life flew away. Sounds reverberated differently in the emptiness. She had no idea what to do with herself.
She started letting things go. Nothing extraordinary, but little things like letting the few dishes that were left pile up in the sink, leaving wrappers and pop cans on the floor, letting the long black tails of chargers for different electronics dangle out across the living room. It wasn’t depression, she thought, it was simply a letting go. A closing. She felt a valve in her mind turn off, and another turn on, leading somewhere else, with some other function entirely. There was a miraculousness to it. She felt weightless. She had read once, in some quasi-self-help, tip-ridden pop-up article, about the importance of letting go – a more dressed-up version of spring cleaning, sponsored by a cleaning company – and how it could clean the mind, reformat the authenticity of life. Doreen wasn’t sure this was what was happening to her, but whatever was happening she allowed it. 
She lost track of time. She started to forget things, like turning the lights off in the kitchen or in the living room before bed, leaving them on all night. Other times, she’d spend a whole day forgetting to turn them on, dwelling in the dark. She would run the air conditioner at arctic levels or not at all. She started sleeping at odd times throughout the day, napping all the time. She went to work, then came home and disrobed right in the living room, leaving her clothes on the floor. She dragged Whitney’s bare mattress into the living room and fashioned it into a couch, which became a multi-purpose nest as the clutter gathered, until another stranger came and took that away, so then she dragged her own mattress out and never slept in her bedroom again. 
After nearly two months of this, like an amoeba left to morph and transform (some might say break down), new household problems cropped up. That strange smell from the laundry machine – maybe it wasn’t mold, maybe there was a dead rat behind it, Doreen wondered but did nothing about it – then the rust forming in the tub. The toilet and the kitchen sink continually clogging. These combined dangerously with her new listlessness – outliers that threatened to taint the overall image of her well-being as not one of letting go and living lightly, but one of neglect and mental illness. Objectively speaking, anyone stepping foot in that apartment would see more than a few reasons for concern, but after the strangers stopped coming to take her things away, she was left alone. 
The only person who saw the inside of Doreen’s apartment now was a delivery boy named Tyler, who caught glimpses of the chaos behind her when she opened the door for her dinner. She had stopped grocery shopping entirely and had taken to ordering in expensive meals every night when she came home from work. Money was another thing she felt herself letting go and she let it fly, ordering the best meals from the best places.
‘Sorry, I know it’s probably not my place to ask, but are you OK?’ Tyler finally asked one evening. He had just dropped off a platter of sushi. 
‘What do you mean?’ said Doreen. She leaned out. Her long hair draped like a privacy curtain between him and the scene behind her. He craned his neck to see past her. He shrugged.
‘You’re ordering food every night, tipping me way too much money, and – I don’t want to be rude – but your apartment looks kind of messed up.’
‘Messed up?’ Doreen adjusted her jacket. She was still wearing her work clothes on this occasion. She looked professional, with a blue blouse with a high collar, a dark skirt, and a freshly dry-cleaned white jacket. Behind her though, was a nest of blankets, empty take-out boxes covered in crumbs, unopened mail, cords for electronics, silverware, mugs. Also, all of the lights were off and the blinds were closed. Doreen and Tyler were standing in almost total darkness. 
‘Not messed up,’ said Tyler. ‘It’s just that it doesn’t seem healthy to still have your take-out boxes from yesterday and the day before all thrown around back there. It looks like you’ve just let the trash stay there. And the lights are always off. Did they cut your power or something? Do you have any furniture?’
‘How would I have charged my phone and used it to order dinner if I didn’t have power?’ said Doreen without missing a beat. 
Tyler fumbled over himself.
‘I’m sorry, I was just saying—’ 
Doreen leaned back into the living room and turned on the light, the mess behind her lit up in all its glory, then she stepped outside and stood next to Tyler, closing the door behind her. The two of them faced each other, illuminated by the orange glow through the window. Shadows cut across Doreen’s diamond-shaped face. 
‘Is that better?’ she asked. ‘Now that you can’t see it? 
‘I just wanted to make sure everything was OK,’ said Tyler. ‘I’m sorry, I shouldn’t have said anything.’
‘No, you shouldn’t have.’ 
The next evening, when Tyler came back with a bacon cheeseburger, two orders of sweet potato fries, and a strawberry shake from a hip new gastropub, Doreen was standing outside the front door already, waiting for him. The porch light was on this time and the door was closed behind her. She accepted the food, thanked Tyler and stayed standing there until he left. He got on his motorcycle, consulted his phone for his next delivery, and drove off. Once he was out of the complex and Doreen could no longer hear his motorcycle bumbling off into the night, she finally went inside and closed the door. Nothing had appeared out of the ordinary this time except for a small pile of dead grass, dirt, and a bottle cap on the ground, and the porch light itself, which had been twisted upside down. 

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MEET THE AUTHOR:

Ryan Collett is a writer, knitter, and animator. He grew up in Oregon and now lives in London where he works as an editor. He also runs a popular YouTube…

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BUY THE BOOK:

Sandstone Press | Waterstones* | Amazon* | Bookshop.org*

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Thanks for reading Bibliophiles 😊 Emma xxx

*These links are affiliate links

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book reviews Emma's Anticipated Treasures Squadpod Book Club Uncategorised

SQUADPOD BOOK CLUB REVIEW: Caged Little Birds by Lucy Banks

Published: September 15th, 2022
Publisher: Sandstone Press
Genre: Suspense, Thriller, Psychological Fiction
Format: Paperback, Kindle, Audiobook

Welcome to my review of this superbly sinister novel. Thank you to Sandstone Press for the copy of the book, which is the Squadpod Book Club September pick.

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SYNOPSIS:

The public think Ava’s a monster. Ava thinks she’s blameless.

In prison, they called her Butcher Bird – but Ava’s not in prison any more. Released after 25 years to a new identity and a new home, Ava finally has the quiet life she’s always wanted.

But someone knows who she is. The lies she’s told are about to unravel.

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MY REVIEW:

“He thinks he knows me, that he’s got it all figured out. But really he’s only seeing the tip of what lies above the surface. The rest is hidden, and it will always stay that way.” 

Ava is trying to adjust to life again after spending twenty-five years in prison.  But that isn’t all that’s new, she also has a new identity to protect her from the public who see her as a monster.  Ava thinks they’ve got her wrong and what happens wasn’t her fault.  But there’s someone who’s sure it was and they want to see her pay.  Is her new life about to fall apart?

Dark, harrowing and haunting, this twisted tale is an intimate look inside a fractured mind.  There is an immediate sense of unease and an eerie atmosphere that lingers over the pages.  Ava’s long sentence and ominous nickname – Butcher Bird – hint at a terrible crime but she believes herself to be blameless.  A mere victim of happenstance and other people’s actions. But her subconscious seems to know what she can’t admit to herself and she is haunted by the spectre of those she’s accused of harming.  It is exquisitely written, each word infused with heartache, grief and trauma that pulls at your heartstrings even when you doubt that you should be feeling any kind of empathy for Ava.  The author drops small breadcrumbs that help the reader piece the puzzle together, slowly revealing the full, awful truth of Ava and her crime.  It sent chills down my spine as things built to a shocking and unexpected climax.

Ava is one of the most chilling and unsettling characters I’ve read. Spectacularly written, she is unlikeable and unreliable yet utterly compelling, and there is something about her that makes it impossible not to feel some sympathy for her.  She also seems pretty harmless and pathetic, if not a bit arrogant, and I found myself wondering if she wasn’t as bad as everyone seems to think, yet there was that little voice just stopping me from believing what she said.  As time goes on we begin to see Ava come apart; she is increasingly paranoid and her inner monologue reveals the true darkness harbouring within her that she tries to hide.  

Superbly sinister and tantalisingly twisty, Caged Little Birds is an unnerving thriller that you won’t be able to put down.

Rating: ✮✮✮✮✰

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MEET THE AUTHOR:

Originally from Hertfordshire, Lucy Banks moved to Devon, where she promptly fell in love with the landscape and lifestyle. Author of the Dr Ribero’s Agency of the Supernatural series, and winner of several literary awards and competitions, she lives with her husband, two children, and extremely boisterous cat.

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BUY THE BOOK:

Sandstone Press | Waterstones* | Amazon* | Bookshop.org

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Thanks for reading Bibliophiles😊 Emma xxx

Join us on Twitter tonight for a chat with the author.

*These purchase links are affiliate links

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book reviews Emma's Anticipated Treasures Squadpod Squadpod Book Club Squadpod Recommends

REVIEW: Bad Fruit by Ella King

Published: August 18th, 2022
Publisher: Harper Collins UK
Genre: Suspense, Psychological Fiction, Domestic Fiction, Coming-of-Age Story
Format: Hardcover, Kindle, Audiobook

Welcome to my review of this dark and disturbing debut. Thank you to Harper Collins UK for the gifted copy.

This was the Squadpod Book Club August pick. Tune into our Twitter account at 7.30pm on August 30th for a live chat with the author.

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SYNOPSIS:

LILY IS A GOOD DAUGHTER

Every evening she pours Mama a glass of perfectly spoilt orange juice. She arranges the teddy bears on Mama’s quilt, she puts on her matching pink clothes. Anything to help put out the fire of Mama’s rage.

MAMA IS A GOOD LIAR

But Mama is becoming unpredictable, dangerous. And as she starts to unravel, so do the memories that Lily has kept locked away for so long.
She only wanted to be good, to help piece Mama back together. But as home truths creep out of the shadows, Lily must recast everything: what if her house isn’t a home – but a prison? What if Mama isn’t a protector – but a monster . . .

Gripping and devastating, from a voice that cuts as sharp as a knife, this is an unforgettable story about a family gone bad.

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MY REVIEW:

“Her power falls over the small space. Everyone is thrown into confusion, no one knows whether to look at her or not, to stop talking or continue. They are all in her thrall.”

Eighteen-year-old Lily does everything to please her mother; she carries out her every whim, makes her spoiled juice every night and even dyes her hair and paints her face to look more like the good Chinese daughter she wants.  But it is never enough.  Mama still finds fault with what she does and leaves Lily feeling bereft.  All she wants is to feel loved.  
As long-hidden truths begin to emerge and Lily slowly unlocks the mysteries surrounding Mama, she thinks she’s finally found the way to be the perfect daughter and win Mama’s approval.  But as things become clearer, Lily wonders if Mama is not actually her protector, but a monster….

Wow! What a crazy ride!  Disturbing, dark and twisted, Bad Fruit is a hard-hitting portrayal of a dysfunctional family that also explores themes of identity and self-discovery.  Author Ella King has crafted a multi-layered story filled with richly drawn and nuanced characters that explores difficult topics and asks hard questions.  King had me hooked, but there were also times I had to put the book down and breathe before picking it up again.

At the heart of this book is the mother/daughter relationship.  King strips bare the complexities of both this relationship and toxic families with such realism that it could be hard to read..  My heart ached for Lily.  Subservient to her mother and forced to act as a go-between for her mother and her siblings, her life is pretty bleak.  She tries to escape by locking herself away in her attic bedroom or riding her bike, but she can never escape what’s inside her head.  Her pain and desperation for love and acceptance bled from every page and I wanted to reach into the book and hug her.  

Then there is Mama.  Cruel, callous, cold, scathing and vengeful, she holds her whole family hostage with her emotions.  The author captured the essence of a toxic person so vividly in her that I would shiver every time she came onto the page and felt every bit of Lily’s apprehension and fear.  

Harrowing, unflinching and deeply human, Bad Fruit is a powerful debut from an author to watch.

Rating: ✮✮✮✮✰

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MEET THE AUTHOR:

Ella King is a British-Singaporean novelist living in Greenwich, UK. She read Philosophy and Theology at Oxford University, is a graduate of Faber Academy’s novel-writing program, and is an award-winning writer, coming 3rd in the Aurora Prize for Short Fiction 2019 and winning the Blue Pencil Pitch Prize 2019. She’s worked as a corporate lawyer in London and for anti-human trafficking and domestic violence charities. Bad Fruit is her debut novel.

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BUY THE BOOK:

Waterstones | Amazon | Bookshop.org

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Thanks for reading Bibliophiles Emma xxx

*All purchase links are affiliate links

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book reviews Emma's Anticipated Treasures Most Anticipated 2022 Squadpod Squadpod Book Club Squadpod Recommends Support Debuts

That Green-Eyed Girl by Julie Owen-Moylan

Published: May 12th 2022
Publisher: Michael Joseph
Genre: Mystery, Historical Mystery, Romance Novel, Lesbian Literature, LGBT Literature
Format: Hardcover, Kindle, Audiobook

Welcome to my review for this outstanding debut. Thank you to Jen at Michael Joseph for the gifted ARC.

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SYNOPSIS:

1955: In an apartment on the Lower East Side, school teachers Dovie and Gillian live as lodgers. Dancing behind closed curtains, mixing cocktails for two, they guard their private lives fiercely. Until someone guesses the truth . . .

1975: Twenty years later in the same apartment, Ava Winters is keeping her own secret. Her mother has become erratic, haunted by something Ava doesn’t understand – until one sweltering July morning, she disappears.

Soon after her mother’s departure, Ava receives a parcel. Addressed simply to ‘Apartment 3B’, it contains a photo of a woman with the word ‘LIAR’ scrawled across it. Ava does not know what it means or who sent it. But if she can find out then perhaps she’ll discover the answers she is seeking – and meet the woman at the heart of it all . . .

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MY REVIEW:

That Green-Eyed Girl was not only the Squadpod Book Club pick for May, but one of my most anticipated debuts of 2022.  A dual timeslip novel, it moves between 1955 and 1975 to tell  an unforgettable story that deals with difficult topics such as homophobia, racism, mental illness and neglect alongside everyday issues such as teenage crushes.  

Atmospheric, immersive and utterly compelling, I am in awe that this is a debut.  Julie Owen Moylan is a skilled storyteller whose vivid prose brings the story and characters to life, transporting me to the streets of New York so clearly it was as if I could feel the oppressive summer heat on my skin, hear the noise from the traffic and smell the smoke in the jazz bars. She moves seamlessly between timelines as she slowly converges the two storylines, beginning the connection with the mysterious package and then intricately weaving them together until the full picture emerges.

The book is filled with richly drawn, fascinating characters, including our two narrators: Dovie in 1955 and Ava in 1975.  The author creates a strong connection between them and the reader, allowing us to explore their innermost thoughts, feelings and fears.  I had a particularly strong maternal connection to Ava and longed to jump into the book and be the parent she desperately needed and wanted.  Despite their many differences, Ava and Dovie are actually very similar.  Both are imprisoned in their own ways; caught in a web of shameful secrets and lies that hold them captive and paralysed by the fear of discovery.  An oppressive and claustrophobic air of anguish, humiliation and dread permeates each page, and there is a bite of loneliness and regret that runs through the story as societal values and expectations force Dovie and Ava to live these half-lives in order to conform.  It is heartbreaking, powerful and perfectly written. 

Hauntingly beautiful, poignant and bittersweet, this book was both nothing like I expected and everything I wanted.  It is a truly astonishing debut from an author I predict big things from in the future.  This is one not to be missed. 

Rating: ✮✮✮✮✰

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MEET THE AUTHOR:

Julie Owen Moylan is a writer whose short stories and articles have appeared in New Welsh ReviewHorizon Literary Review, and The Voice of Women in Wales Anthology

She has also written and directed several short films as part of her MA in Film. Her graduation short film called ‘BabyCakes’ scooped Best Film awards at the Swansea Film Festival, Ffresh, and the Celtic Media Awards. She also has an MA in Creative Writing, and is an alumna of the Faber Academy’s Writing a Novel course. 

Her debut novel THAT GREEN-EYED GIRL will be published by Penguin Michael Joseph on May 12th 2022.

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BUY THE BOOK:

Waterstones* | Amazon* | Bookshop.org*
*These are affiliate links

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Thanks for reading Bibliophiles 😊Emma xxx

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Squadpod Squadpod Recommends Year In Review

Squadpod Recommends: 21 Favourites of ’21

As many of you know, I’m part of a wonderful group of bloggers known as the Squadpod. Over the last eighteen months these women have become not only my friends but a much-needed support network and my chosen family. It started with books and became much more. This year we have expanded our group to go beyond our WhatsApp Chats and you can now follow us on Instagram, Twitter and TikTok. We have started our Squadpod Book Club, organised blog tours and even cake blasts (the one for Evie Epworth was one of my favourite moments of 2021).

Last year, I shared a list of each of the Squadpod’s 20 Favourite books of 2020 so I’m doing it again. Though this year it is obviously our 21 favourite books of 2021. So, buckle up because there a quite a few of us. But please keep reading to the end so that you can find out what book the Squadpod recommends overall in 2021…

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Becca at Becca Kate Blogs

  • For When I’m Gone by Rebecca Ley
  • The Push by Ashley Audrain
  • Keeper by Jessica Moor
  • Shiver by Allie Reynolds
  • The Burning Girls by C. J. Tudor
  • The Long, Long Afternoon by Inga Vesper
  • Everything Is Beautiful by Eleanor Ray
  • The One Hundred Years of Lenni and Margot by Marianne Cronin
  • Space Hopper by Helen Fisher
  • Dog Days by Ericka Walker
  • Lost Property by Helen Paris
  • The Miseducation of Evie Epworth by Matson Taylor
  • The Lamplighters by Emma Stonex
  • The Last Thing He Told Me by Laura Dave
  • The Summer Job by Lizzy Dent
  • The Island Home by Libby Page
  • Another Life by Jodie Chapman
  • The Secret Life of Albert Entwistle by Matt Cain
  • The Pact by Sharon Bolton
  • The Ends of the Earth by Abbie Greaves
  • Never Saw Me Coming by Vera Kurian

BOOK OF THE YEAR: The One Hundred Years of Lenni and Margot by Marianne Cronin

Follow Becca on Instagram, Twitter and her Blog

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Beth at Beth’s Booketlist

  • The Missing Sister by Lucinda Riley
  • Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid
  • A Court of Silver Flames by Sarah J. Maas
  • The Last Library by Freya Sampson
  • Nightingale Point by Luan Goldie
  • The Great Alone by Kristin Hannah
  • Monday’s Not Coming by Tiffany D. Jackson
  • Miss Benson’s Beetle by Rachel Joyce
  • The Arctic Curry Club by Dani Redd
  • The Wolf Den by Elodie Harper
  • Winter Garden by Kristin Hannah
  • Cinderella is Dead by Kalynn Bayron
  • The Last House on Needless Street by Catriona Ward
  • The Authenticity Project by Clare Pooley
  • Labyrinth of the Spirits by Carlos Ruiz Zarfon
  • Chain of Iron by Cassandra Clare
  • The Switch by Beth O’Leary
  • The House in the Cerulean Sea by T. J. Klune
  • The Miseducation of Evie Epworth by Matson Taylor
  • Once and Future Witches by Alix E. Harrow
  • Rock Paper Scissors by Alice Feeney

BOOK OF THE YEAR: The Missing Sister by Lucinda Riley

Follow Beth on Instagram

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Cara at Welsh Book Lover

  • Rock Paper Scissors by Alice Feeney
  • The Christmasaurus – Tom Fletcher
  • Johnny Be Good by Paige Toon
  • The Unhooneymooners by Christina Lauren
  • The Whisper Man by Alex North
  • Chasing Daisy by Paige Toon
  • Is This It? by Hannah Tovey
  • How To Kill Your Family by Bella Mackie
  • If I Can’t Have You by Charlotte Levin
  • The Burning Girls by C. J. Tudor
  • Throttled by Lauren Asher
  • Girl A by Dan Scottow
  • The Sanatorium by Sarah Pearse
  • All My Lies by Sophie Flynn
  • People Like Her by Ellery Lloyd
  • It Ends With Us by Colleen Hoover
  • Once Perfect Summer by Paige Toon
  • The Midnight Man by Caroline Mitchell
  • Our Stop by Laura Jane Williams
  • The Minute I Saw You by Paige Toon
  • The Paris Apartment by Lucy Foley

BOOK OF THE YEAR: Rock Paper Scissors by Alice Feeney

Follow Cara on Instagram, Twitter and her Blog

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Ceri at Ceri’s Lil Blog

  • Everything is Beautiful by Eleanor Ray
  • She’s Mine by A. A. Chaudhuri
  • The Post Box at the North Pole by Jaimie Admans
  • The Art of Loving You by Amelia Henley
  • The One Hundred Years of Lenni and Margot by Marianne Cronin
  • All My Lies by Sophie Flynn
  • Shiver by Allie Reynolds
  • An Ordinary Life by Amanda Prowse
  • All You Need Is Love by Jessica Redland
  • Midnight Ladies Swimming Club by Faith Hogan
  • The Story of Our Secrets by Shari Low
  • The Islanders by S. V. Leonard
  • The New York Secret by Ella Carey
  • The Night We Met by Zoe Folbigg
  • The Queen’s Dressmaker by Meghan Masterson
  • Until Next Weekend by Rachel Marks
  • Freckles by Cecelia Ahern
  • Lies Like Wildfire
  • The Little Duck Pond Cafe Series by Rosie Green
  • The Blood Brothers Series by Heather Atkinson
  • Our Little Cruelties by Liz Nugent

BOOK OF THE YEAR: Everything Is Beautiful by Eleanor Ray

Follow Ceri on Instagram, Twitter and her Blog.

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Chloe at Reviews by Chloe

  • Hostage by Clare Mackintosh
  • The Judge’s List by John Grisham
  • The Sanatorium by Sarah Pearse
  • Rock Paper Scissors by Alice Feeney
  • The Chalet by Catherine Cooper
  • Mrs England by Stacey Halls
  • Seven Lies by Elizabeth Kay
  • Circus of Wonders by Elizabeth Macneal
  • Exit by Belinda Bauer
  • The Invisible Life of Addie LaRue by V. E. Schwab
  • The Eighth Life by Nino Haratischvili, Translated by Charlotte Collins and Ruth Martin
  • Eight Detectives by Alex Pavesi
  • The Missing Sister by Lucinda Riley
  • The Last Wife by Karen Hamilton
  • The Heights by Louise Candlish
  • Not A Happy Family by Shari Lapena
  • Ariadne by Jennifer Saint
  • That Night by Gillian McAllister
  • My Lovely Wife by Samantha Downing
  • Yours Cheerfully by A. J. Pearce

BOOK OF THE YEAR: Hostage by Clare Macintosh

Follow Chloe on Instagram, Twitter and her Blog.

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Claire at Secret World of a Book

  • Jane Eyre by Charlotte Bronte
  • Born of No Man by Franck Bouysse
  • Femilandia by Christina Dalcher
  • The Coven by Lizzie Fry
  • House of Hollow by Kristin Sotherland
  • Madame by Phoebe Wynne
  • We Go On Forever by Sarah Govett
  • Threadneedle by Cari Thomas
  • The Silence of the Girls by Pat Barker
  • The Women of Troy by Pat Barker
  • Pandora’s Jar by Natalie Haynes
  • Underbelly by Anna Whitehouse
  • Circe by Madeline Miller
  • The Hiding Place by Amanda Mason
  • We Are Not Like Them by Jo Piazza and Christine Pride
  • Elektra by Jennifer Saint
  • The Wolf Den by Elodie Harper
  • Wuthering Heights by Emily Bronte
  • The Lighthouse Witches by C. J. Cooke
  • Matrix by Lauren Groff

BOOK OF THE YEAR: Ariadne by Jennifer Saint.

Follow Claire on Instagram, Twitter and her Blog.

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Clare at The Fallen Librarian Reviews

  • The Push by Ashley Audrain
  • On Hampstead Heath by Marisa Cobbold
  • Trobairitz: The StoryTeller – Ceila Mickenfield
  • The One Hundred Years of Lenni and Margot by Marianne Cronin
  • Last One at the Party by Bethany Clift
  • The Lip by Charlie Carroll
  • The Lamplighters by Emma Stonex
  • Madame Burova by Ruth Hogan
  • The Island Home by Libby Page
  • Yours Cheerfully by A. J. Pearce
  • The Nothing Man by Catherine Ryan Howard
  • White Spines by Nicholas Royal
  • The Visitors by Caroline Scott
  • The Cove by L. J. Ross
  • A Woman Made of Snow by Elizabeth Gifford
  • Afloat by Diane Couchman
  • PAH by Orla Owen
  • Girl A by Abigail Dean
  • Dear Reader – Cathy Rentzenbrink
  • The Girl, The Crow, The Writer & The Fighter – George Patterson
  • The Lost Apothecary by Sarah Penner

BOOK OF THE YEAR: Last One at the Party by Bethany Clift.

Follow Clare on Instagram, Twitter and her Blog.

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Ellie at Elspells

  • Panenka by Ronan Hession
  • The Smallest Man by Frances Quinn
  • Kolollo Hill by Neema Shah
  • What Beauty There Is by Cory Anderson
  • Sybelia Drive by Karin Cecile Davidson
  • Boys Don’t Cry by Fiona Scarlett
  • Mrs Death Misses Death by Salena Godden
  • The Stranding by Kate Sawyer
  • Circus of Wonders by Elizabeth Macneal
  • Havana Year Zero by Karla Suarez translated by Christina MacSweeney
  • Catch The Rabbit by Lana Bastasic
  • My Broken Language by Quiara Alegria Hudes
  • Still Life by Sarah Winman
  • Assembly by Natasha Brown
  • The Wolf Den by Elodie Harper
  • Ariadne by Jennifer Saint
  • The Good Book by Iain Hood
  • Iron Annie by Luke Cassidy
  • Line by Niall Bourke
  • Somebody Loves You by Mona Arshi
  • Moonlight and the Pearler’s Daughter by Lizzie Pook

BOOK OF THE YEAR:  Iron Annie by Luke Cassidy 

Follow Ellie on Instagram, Twitter and her Blog.

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Emma at Emma’s Biblio Treasures

  • The Lamplighters by Emma Stonex
  • Call Me Mummy by Tina Baker
  • The One Hundred Years of Lenni and Margot by Marianne Cronin
  • The Asylum by Karen Coles
  • Circus of Wonders by Elizabeth Macneal
  • The Metal Heart by Caroline Lea
  • Ariadne by Jennifer Saint
  • The Wolf Den by Elodie Harper
  • The Stranding by Kate Sawyer
  • This Is How We Are Human by Louise Beech
  • The Tsarina’s Daughter by Ellen Alpsten
  • Before You Knew My Name by Jacqueline Bulbitz
  • Mrs England by Stacey Halls
  • The Beresford by Will Carver
  • The Last Library by Freya Sampson
  • The Hidden Child by Louise Fein
  • The Maid by Nita Prose
  • Wish You Were Here by Jodi Picoult
  • The Imperfect Art of Caring by Jessica Ryn
  • A Girl Made of Air by Nydia Hetherington
  • Midnight in Everwood by M. A. Kuzniar

BOOK OF THE YEAR: This Is How We Are Human by Louise Beech

Follow me on Instagram and Twitter

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Hayley at The Lotus Readers Blog

  • The Stranding by Kate Sawyer
  • The Lamplighters by Emma Stonex
  • The Great Silence by Doug Johnstone
  • Wish You Were Here by Jodi Picoult
  • Bad Apples by Will Dean
  • This Is How We Are Human by Louise Beech
  • The Beresford by Will Carver
  • The Watchers by A.M. Shine
  • The Metal Heart by Caroline Lea
  • A Ghost in the Throat by Doireann Ni Ghriofa
  • The Shape of Darkness by Laura Purcell
  • The Spirit Engineer by A. J. West
  • The Lighthouse Witches by C. J. Cooke
  • The Return by Anita Frank
  • Circus of Wonders by Elizabeth Macneal
  • The Lost Apothecary by Sarah Penner
  • Snow and the Works on the Northern Line by Ruth Thomas
  • The Last House on Needless Street by Catriona Ward
  • Cold as Hell by Lilja Sigurdardóttir 
  • The Unheard by Nicci French

BOOK OF THE YEAR: The Stranding by Kate Sawyer

Follow Hayley on Instagram, Twitter and her Blog.

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Hayley at Shelf Lyfe

  • House of Hollow by Krystal Sutherland
  • Under the Rainbow by Celia Laskey
  • Last One at the Party by Bethany Clift
  • Botanical Curses and Poisons; The Shadow Lives of Plants – Fez Inkwright
  • Spirited by Julie Cohen
  • Assembly by Natasha Brown
  • The Secret Life of Albert Entwistle by Matt Cain
  • Small: On Motherhood by Claire Lynch
  • The Harpy by Megan Hunter
  • Malice by Heather Walter
  • The Crossing – Manjeet Mann
  • Gold Fury by Keiren Westwood
  • The Miseducation of Evie Epworth by Matson Taylor
  • The Charmed Wife – Olga Grushin
  • 100neHundred – Laura Besley
  • The Shadow in the Glass by JJA Harwood
  • Together by Luke Adam Hawker
  • The One Hundred Years of Lenni and Margot by Marianne Cronin
  • Cerebral Palsy: A Story – Ilana Estelle
  • The Wolf Den by Elodie Harper
  •  A Banquet for Hungry Ghosts: A Collection of Deliciously Frightening Tales – Ying Chang Compestine

BOOK OF THE YEAR: The Harpy by Megan Hunter

Follow Hayley on Instagram and Twitter.

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Jackie at Jackie’s Reading Corner

  • Kololo Hill by Neema Shah
  • No Honour by Awais Khan
  • The Art of Death by David Fennell
  • Blackstoke by Rob Parker
  • The Stonebridge Mysteries(Series, all 5) by Chris McDonald
  • Dead Ground by M. W. Craven
  • The Last House on Needless Street by Catriona Ward
  • True Crime Story by Joseph Knox
  • Cave Diver by Jake Avila
  • The Wolf Mile by C. F. Barrington
  • Dangerous Women by Hope Adams
  • Cunning Women by Elizabeth Lee
  • The Metal Heart by Caroline Lea
  • One Ordinary Day at a Time by Sarah J. Harris
  • The Stranding by Kate Sawyer
  • She’s Mine by A. A . Chaudhuri
  • Black Reed by Rod Reynolds
  • The Spirit Engineer by A. J. West
  • The Man Who Made Them Happy by John Lawrence
  • Facets of Death by Michael Stanley
  • The Appeal by Janice Hallett

BOOKS OF THE YEAR: Kololo Hill by Neema Shah and No Honour by Awais Khan.

You can follow Jackie on Instagram, Twitter and her Blog

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Jen at Travels Along My Bookshelf

  • Together by Luke Adam Hawker
  • Cecily by Annie Garthwaite
  • Diamonds At the Lost and Found by Sarah Aspinall
  • The Dead of Winter by Nicola Upson
  • When They Find Her by Lia Middleton
  • Under the Mistletoe by Sue Moorcroft
  • The Hollow by Agatha Christie
  • The Maid by Nita Prose
  • The Last Library by Freya Sampson
  • The Law of the Heart by Boris Starling
  • Snow Country by Sebastian Faulks
  • When I Ran Away by Ilona Bannister
  • The Spirit Engineer by A. J. West
  • The Prison Healer (series) Lynette Noni
  • All the Lonely People by Mike Gayle
  • The Secret Life of Albert Entwistle by Matt Cain
  • The Stranding by Kate Sawyer
  • The Miseducation of Evie Epworth by Matson Taylor
  • Daughters of Night by Laura Shepherd Robinson
  • War and Peace by Leo Tolstoy
  • Elektra by Jennifer Saint

BOOKS OF THE YEAR: The Law of the Heart by Boris Starling, Together by Luke Adam Hawker and War and Peace by Leo Tolstoy

Follow Jen on Instagram and Twitter

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Karen at Book Blogging Bureau

  • Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid
  • The Appeal by Janice Hallett
  • The Smash Up by Ali Benjamin
  • The Girl Who Died by Ragnar Jonasson 
  • A Girl Made of Air by Nydia Hetherington
  • Lullaby Beach by Stella Duffy
  • Leonard and Hungry by Paul Ronan Hession
  • The Summer Job by Lizzy Dent
  • A Taste of Home by Heidi Swain
  • On Hampstead Heath by Marika Cobbold 
  • The One Hundred Years of Lenni and Margot by Marianne Cronin
  • The Last Thing To Burn by Will Dean
  • A Single Rose by Muriel Barbery
  • Moonflower Murders by Anthony Horowitz
  • The Essex Serpent by Sarah Perry
  • The Fair Botanist by Sara Sheridan
  • Common Ground by Naomi Ishiguro 
  • Dear Reader by Cathy Retzenbrink 
  • The Lip by Charlie Carroll
  • The Good Neighbours by Nina Allen
  • Shiver by Allie Reynolds

BOOK OF THE YEAR: Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid

Follow Karen on Instagram, Twitter and her Blog.

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Kate at Rutherford Reads

  • Other Parents by Sarah Stovell
  • Psychopaths Anonymous by Will Carver
  • The Christmas Dress by Courtney Cole
  • The Idea of You by Robinne Lee
  • Wish You Were Here by Jodi Picoult
  • Freckles by Cecelia Ahern
  • The Appeal by Janice Hallett
  • For Your Own Good by Samantha Downing
  • Always in December by Emily Stone
  • The First Day of Spring by Nancy Tucker
  • Let That Be A Lesson by Ryan Wilson
  • My Best Friend’s Murder by Polly Phillips
  • Invite Me In by Emma Curtis
  • Worst Idea Ever by Jane Fallon
  • Both of You by Adele Parks
  • The Miseducation of Evie Epworth by Matson Taylor
  • When They Find Her by Lia Middleton
  • The Lamplighters by Emma Stonex
  • The Promise by Lucy Diamond
  • The Downstairs Neighbour by Helen Cooper
  • The Pact by Sharon Bolton

BOOK OF THE YEAR: Wish You Were Here by Jodi Picoult

Follow Kate on Instagram, Twitter and her Blog.

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Kirsty at Kirsty’s Book Buying Addiction

  • Someone I Used To Know by Paige Toon
  • Before I Saw You by Emily Houghton
  • On A Night Like This by Lindsey Kelk
  • Walking On Sunshine by Giovanna Fletcher
  • The Lock In by Phoebe Luckhurst
  • The Telephone Box Library by Rachael Lucas
  • The Village Green Bookshop by Rachael Lucas
  • A Taste of Home by Heidi Swain
  • Underneath the Christmas Tree by Heidi Swain
  • And Now You’re Back by Jill Mansell
  • The Promise by Lucy Diamond
  • The Woman in the Middle by Milly Johnson
  • A Cosy Countryside Christmas by Eliza J Scott
  • The Merry Christmas Project by Cathy Bramley
  • My Kind of Happy by Cathy Bramley
  • The Party Crasher by Sophie Kinsella
  • The Best Is Yet To Come by Katy Collins
  • The Road Trip by Beth O’Leary
  • Until Next Weekend by Rachel Marks
  • The Summer Job by Lizzy Dent
  • Lost Property by Helen Paris

BOOK OF THE YEAR: Someone I Used To Know by Paige Toon.

Follow Kirsty on Twitter and her Blog

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Sue at Brown Flopsy’s Book Burrow

  • The Burning Girls by C. J. Tudor
  • Last One at the Party by Bethany Clift
  • Rites of Spring – Anders de la Motte
  • On Hampstead Heath – Marika Cobbold
  • The Wolves of Leninsky Prospekt – Sarah Armstrong
  • Summer in the City by Fiona Collins
  • The Paper Palace by Miranda Cowley Heller
  • The Fair Botanists by Sara Sheridan
  • The Wolf Den by Elodie Harper
  • The Hidden Child by Louise Fein
  • The Impossible Truths of Love by Hannah Beckerman
  • Kings of a Dead World – Jamie Mollart
  • The Girl in the Maze by Cathy Heyward
  • The Arctic Curry Club by Dani Redd
  • Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid
  • The Bone Shard Emperor by Andrea Stewart
  • Blasted Things – Lesley Glaister
  • Tsarina/The Tsarina’s Daughter by Ellen Alpsten
  • The Lip by Charlie Carroll
  • Space Hopper by Helen Fisher

BOOK OF THE YEAR: On Hampstead Heath by Marika Cobbold

Follow Sue on Instagram, Twitter and her Blog.

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Vikkie at Little Miss Book Lover

  • When I Was Ten by Fiona Cummins
  • I Know What You’ve Done by Dorothy Koomson
  • Love and Other Mushy Stuff by Lyndsay Gallagher
  • Love at First Sight by Mary Jayne Baker
  • All My Lies by Sophie Flynn
  • Call Me Mummy by Tina Baker
  • The Last Thing To Burn by Will Dean
  • I Have Something To Tell You by Susan Lewis
  • The Opposite of Butterfly Hunting by Evanna Lynch
  • The Locksmith by Linda Calvey
  • Trust Me by TM Logan
  • The Art of Loving You by Amelia Henley
  • Worst Idea Ever by Jane Fallon
  • Three Weddings and a Proposal by Sheila O’Flanagan
  • When They Find Her by Lia Middleton
  • Look What You Made Me Do by Nikki Smith
  • That Night by Gillian McAllister
  • No Honor by Awais Khan
  • The Beresford by Will Carver
  • Isn’t It Bromantic by Lissa Kay Adams
  • Is This It? by Hannah Tovey

BOOK OF THE YEAR: When I Was Ten by Fiona Cummins

Follow Vikkie on Instagram, Twitter and her Blog.

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Zoe at Zoe’s Book Nook

  • Still Life by Sarah Winman
  • Empire of the Vampire by Jay Kristoff
  • Love Hypothesis by Ali Hazelwood
  • You and Me on Vacation by Emily Henry
  • The Upper World by Femi Fadugba
  • Assembly by Natasha Brown
  • Lean, Fall, Stand by John McGregor
  • Luster by Raven Leilani
  • The Haunting Season: Ghostly Tales for Long Winter Nights by Various
  • The Man Who Died Twice by Richard Osman
  • Fault Lines by Emily Itami
  • The Cat Who Saved Books by Sosuke Natsukawa 
  • Chasing the Boogeyman by Richard Chizmar
  • Cecily by Annie Garthwaite
  • 56 Days by Catherine Ryan Howard
  • Girl, 11 by Amy Suiter Clarke
  • Six Stories by Matt Wesolowski
  • Damnation Spring by Ash Davidson
  • Dark and Shallow Lies by Ginny Myers Sain
  • Before the Ruins by Victoria Gosling
  • It’s Behind You by Kathryn Fox

BOOKS OF THE YEAR: Empire of the Vampire by Jay Kristoff and Love Hypothesis by Ali Hazelwood

Follow Zoe on Instagram, Twitter and her Blog.

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One of my favourite parts of putting together the Squadpod’s lists of favourite books is seeing how diverse they are. And this year that was even more evident. We had a lot of books that appeared on two or three of our lists, but only seven that appeared on four or more lists. One was even on many of our lists last year and very nearly took the title of overall favourite. So, here’s our ultimate Squadpod Recommendations for 2021:

Some debut novels that just narrowly missed this list but were clearly loved by many in the Squadpod were Shiver, The Last Library, The Last House on Needless Street, The Summer Job, The Appeal, When They Find Her, The Lip, Assembly and All My Lies.

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Squadpod Book of the Year

We had a tie for Book of the Year, with The One Hundred Years of Lenni and Margot and The Wolf Den both appearing on six of the Squad’s lists.

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What do you think of our choices? Do you see books you’ve loved this year on our lists? Let me know in the comments. And don’t forget to follow us.

Thanks for reading Bibliophiles! Wishing you all a Happy New Year ☺️Emma xxx

Categories
Blog Tours Book Features Q&A

Q&A with Tim Ewins, Author of We Were Animals

Welcome to my stop on the blog tour celebrating the paperback publication of We Are Animals. This is our first official Squadpod On Tour and I’m excited to bring you a Q&A with Tim today.

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Q: What inspired the idea for We Are Animals?

I don’t really know what the idea for We Are Animals was. I just wanted to write a book, and my idea about writing a book about how to write a book fell apart pretty quickly, because I didn’t know how to write a book. Also, I’m pretty sure it’s already been written by much smarter people. I think We Are Animals started as a collage, with parts from my old travel blog and small facts about my relationship with my wife scattered around a very loose plot.

Q: Can you tell us a bit about the book?

I can! I can tell you a bit about the book in the style of an author: It’s a book about fate and love, but I wouldn’t say it’s a romance novel. I like the idea of it being uplit fiction, because at every stage of writing I wanted to reflect the goodness in people and in nature. And I can tell you a bit about the book in a very literal sense: It’s about a bloke on a beach that meets a kid on a beach and tells that kid his life story. They both get drunk and watch a cow dance to dance music.

Q: Who is your favourite character in the book?

I think probably Hylad’s partner, Michael. Michael is only a small character, and when he’s introduced, he comes across as quite grumpy and a little unlikeable, but as the plot goes on, we watch him put his whole life on hold to help and support Hylad. He’s the rock that keeps Hylad going. I think Michael is what every partner should be to their significant other. Also, I do quite like that dancing cow.

Q: What was your favourite scene to write?

There are a lot of mini-stories in We Are Animals which explain some of the smaller character’s backstories. They were always the most fun parts to write, and there was a certain pleasure in making these seemingly unconnected stories become relevant to the main plot several chapters later. There is one particular backstory which stands out though. I really enjoyed writing about the lives of Ebba and Olivia. The section only lasts a few pages, but I remember writing it and feeling so sad because their story is really quite tragic. That scene came out so quickly that I felt like I was reading it rather than writing it.

Q: What was the hardest thing about writing the book?

Time. Sometimes, even just writing a sentence, it’s hard to find the time to fi

Q: Are there any hidden ‘Easter Eggs’ in the book, e.g. that only people who know you would get?

Absolutely! The boat Moondance has the same name as my dad’s fishing boat. My mate and I used to work in a box factory. I literally know Shakey – I go for a drink with him every week, and I met Manjan a while back in Malaysia. The reason Ladyjan isn’t typically Swedish looking is because Ladyjan looks exactly like my wife (and she’s from Whitby)… the list really
does go on. The guy who I used to work with in the box factory read We Are Animals recently and he told me after that finding the little easter eggs was his favourite part of the book (which, on reflection, may have been an insult).

Q: What was your journey to publication like?

I have a spreadsheet full of rejection and a list of the reasons why publishers and agents don’t want to work with me, so I think probably quite normal. Working with Eye and Lightning Books (my publisher) has been amazing though. They really care about all the books they publish, so I went from no-one reading my novel to a group of people taking the time to go through it with a fine-tooth comb and working with me to get it perfect. I don’t think I could have asked for anything more. When it came out it was on e-only format and now, a year later, it’ll be out in paperback, so I’ve been lucky enough to ride two waves!

Q: What’s the best thing about being a published author?

It is just so nice that people are reading the book. When I was writing, I never really knew if anyone would read it (other than my mum), but the fact that strangers are reading it now is beyond what I could ever have dreamed of.

Q: What kind of books do you like reading? Any current favourites?

I like anything a bit cute or surreal. I love Andrew Kaufman and Jonas Jonassan. I’ve recently been reading Ronan Hession’s books (Leonard and Hungry Paul, and Panenka) and I think I’ve found my new favourite author in him (he also makes nice music to write to under the name Mumblin’ Deaf Ro, so that’s a double win). I’m on a real reading streak at the moment so I could list a million books here that I’ve loved recently; The Smallest Man by Frances Quinn, Perfect on Paper by Gillian Harvey, Whatever You Are Is Beautiful by Richard Blandford, Marrow Jam by Susan A King. Honestly, the list could go on and on.

Q: When do you find time to write? Do you have a ‘writing routine’?

I made a joke earlier about time, which I can only apologise for, but it really is one of the hardest parts of writing for me (and plot, that’s hard too). I work a full-time job and have a toddler, so my writing routine has always consisted of writing an hour in my lunch breaks at work, writing on the bus to and from work and occasionally whilst watching Love Island. We Are Animals was written entirely on an iPad. Unfortunately, I couldn’t quite follow one series of Love Island as closely as I’d have liked to, but I hear they’re all on Netflix now anyway, so…

Q: What are you working on at the moment?

I’m waiting to get some edits back on my second novel, which I cannot wait to share. The story is very close to me. The main character is based on my Nan, and again, it’s about fate and love, but I wouldn’t say it’s a romance novel. Maybe after that I’ll try to write a book about how to write a book…

We Are Animals is out now.

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You can get 30% off your copy of the book using the code above until 8th August here

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SYNOPSIS:

A cow looks out to sea, dreaming of a life that involves grass.

Jan is also looking out to sea. He’s in Goa, dreaming of the passport-thief who stole his heart (and his passport) forty-six years ago. Back then, fate kept bringing them together, but lately it seems to have given up.

Jan has not. In his long search he has accidentally held a whole town at imaginary gunpoint in Soviet Russia, stalked the proprietors of an international illegal lamp-trafficking scam and done his very best to avoid any kind of work involving the packing of fish. Now he thinks if he just waits, if he just does nothing at all, maybe fate will find it easier to reunite them.

His story spans fifty-four years, ten countries, two imperfect criminals (and one rather perfect one), twenty-two different animals and an annoying teenager who just…

Will…

Not…

Leave.

But maybe an annoying teenager is exactly what Jan needs to help him find the missing thief?

Featuring a menagerie of creatures, each with its own story to tell, We Are Animals is a quirky, heart-warming tale of lost love, unlikely friendships and the certainty of fate (or lack thereof).

For the first time in her life the cow noticed the sun setting, and it was glorious.

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MEET THE AUTHOR:

Tim Ewins had an eight-year stand-up career alongside his accidental career in finance, before turning to writing fiction.

He has previously written for DNA Mumbai, had two short stories highly commended and published in Michael Terence Short Story Anthologies, and had a very brief acting stint (he’s in the film Bronson, somewhere in the background).

He lives with his wife, son and dog in Bristol. We Are Animals is his first novel.

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Don’t miss the Cake and Cocktail blast on August 3rd and check the hashtags to read reviews from the Squadpod Ladies.

Thanks for reading Bibliophiles😊 Emma xxx