Published: September 14th, 2021 Publisher: Bookouture Genre: Mystery, Thriller, Cozy Mystery, Sherlock Holmes Mystery Format: Paperback, Kindle, Audio
Welcome to my stop on the blog tour for this lively cosy mystery. Thank you to Bookouture for the invitation to take part and the gifted eBook ARC.
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SYNOPSIS:
When Lady Swift is invited to her old school, she walks through familiar classrooms, finds her favourite books in the library… and surely that’s not a body? Time for a lesson in murder!
Autumn, 1921. Lady Eleanor Swift is invited to her old school, St Mary’s, as a guest speaker. Her favourite teacher, Mrs Wadsworth, has asked that Eleanor talk about her intrepid travels around the globe – travelling the Silk Road by bicycle, crossing the Himalayas and even befriending the Maharaja of India. But in the circumstances, perhaps it would have been a good idea to talk about her career as a daring detective…
Because no sooner has Eleanor brushed up on her times tables then she is greeted by terrible news: Mrs Wadsworth has been murdered. Eleanor is utterly devastated but she owes it to her dearest teacher to find out who killed her and why. So, alongside Gladstone the bulldog, it’s best paw forward to track down a villain.
But when the art teacher is also found dead, Eleanor is sure someone is trying to do away with the people who taught her everything. As Eleanor delves into possible motives, she discovers a clue in the most unlikely place: her mother’s old school diary. Does the route to the murderer lie within a secret passageway her mother uncovered? Can Eleanor nail the culprit in time or is the killer coming for her next?
A totally gripping and glamorous 1920s cozy! Fans of Agatha Christie, T.E. Kinsey and Rhys Bowen are in for a treat.
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MY REVIEW:
“I’ve learned that a wrongdoer never gives one reason to mistrust them until they seize the opportunity they’ve been waiting for.”
A Lesson in Murder is another entertaining adventure in the Lady Eleanor Swift series. This time the ameteur sleuth finds herself embroiled in the hunt for a killer after a body is found in the Library of St Mary’s Boarding School for Young Ladies, Eleanor’s former school. Originally there to deliver an inspirational speech to the students, she is asked to investigate when the police determine that Mrs. Wadsworth’s death was not merely a tragic accident. Officials don’t want it publically known that there’s a murder investigation, so it is decided she will poses as Boarding mistress for Holly House, stepping into the late Mrs. Wadsworth’s shoes and secretly investigating while she does so.
This series has become a real comfort read for me this year. I was late to start, beginning with book five back in March, but Verity Bright is adept at succinctly catching you up on any important information throughout the books so that you never feel lost. It means you can start this series at any time, or read just one as a standalone. But I have found myself so fond of these fun historical cosy mysteries, that every book is now an auto-read for me. In fact, I’ve already signed up for the blog tour for the next book in December.
Lady Eleanor Swift is an unorthodox woman for her time. It is unusual enough to be thirty and unmarried, but add to the fact she has travelled the world and is a part-time ameteur sleuth, and you have an unusual lady indeed. But I love her. She is a breath of fresh air; strong, feisty, determined and impetuous. I love watching her do all the things she isn’t supposed to but I did like the glimpse into her more vulnerable side in this installment. Her time at St. Mary’s was lonely and painful, and she finds all these difficult memories and emotions assail her when she’s back in its halls. But she once again has her trusty butler, Clifford, on hand to assist her. Their great dynamic and witty banter are always the highlight of these books for me.
Lively, refreshing, humorous and authentic, this quick read was just the tonic I needed between darker mysteries.
Rating: ✮✮✮✮✰
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MEET THE AUTHOR:
Verity Bright is the pseudonym for a husband-and-wife writing partnership that has spanned a quarter of a century. Starting out writing high-end travel articles and books, they published everything from self-improvement to humour, before embarking on their first historical mystery.
Today I’m excited to be taking part in the cover reveal for the 5th book in the brilliant Maggie Jameson series, Dead Mercy, which is published on November 19th.
SYNOPSIS:
‘Hugely confident … harrowing, visceral … recommended’ Ian Rankin on Dead Inside
A brutal murder…
When a burned body is found with its teeth missing, DC Maggie Jamieson discovers that the victim may be the husband of one of her probation colleagues.
A dark history…
As the body count rises, the team becomes increasingly baffled by how the victims could possibly be connected until a clue leads them to a historical case that was never prosecuted.
A terrible secret…
In order to catch the killer, Maggie must piece together what happened all those years ago before it’s too late.
I’m thrilled to be part of the blog tour for this book, so keep an eye out for my review the day after publication.
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MEET THE AUTHOR:
Noelle Holten is an award-winning blogger at www.crimebookjunkie.co.uk. She is the PR & Social Media Manager for Bookouture, a leading digital publisher in the UK, and worked as a Senior Probation Officer for eighteen years, covering a variety of risk cases as well as working in a multi agency setting. She has three Hons BA’s – Philosophy, Sociology (Crime & Deviance) and Community Justice – and a Masters in Criminology. Noelle’s hobbies include reading, attending as many book festivals as she can afford and sharing the booklove via her blog. Dead Inside – her debut novel with One More Chapter/Harper Collins UK is an international kindle bestseller and the start of a new series featuring DC Maggie Jamieson.
Happy Publication Day to Dark Things I Adore. I’m delighted to be celebrating publication day with an exclusive extract from this haunting novel.
Thank you to Titan books for the invitation to take part and the gifted ARC.
Extract
Audra FRIDAY, MARCH 16, 2018
“That’s what I’m saying. My work should go there. Architecture of Radiance should go there.” I can hear the fight in him. The thinly veiled frustration. I’ve come to know his energies and emotions well over the many months we’ve been working together. “I’ve earned it. In all the years I’ve been here, I’ve never made it into the Polk Room at all, forget about the Warhol spot. I know there is precedent for faculty art being shown in the Polk Room. You can’t tell me there isn’t precedent.” “There is precedent, yes, but faculty art hasn’t been hung in the Polk Room in more than ten years. It just isn’t done anymore. You know that, Max. I’ve been here a long time, but so have you. You know how it works.” She sounds tired. Like this is an argument they’ve had many times before. “Trust me,” she sighs, “nearly every one of your colleagues has asked for that coveted spot. None of them will get it. It’s not personal. We have the Warhol, those few Picasso sketches in there, and the new Amy Sherold—” “I am the institute’s most renowned faculty member and artist,” Max steamrolls her, his voice echoing down the corridor. I press my fingers to my lips, amused by his pluck. “It’s my faculty picture you push to the front of our website during admissions season every year. It’s my paintings and awards and write-ups and reviews you feature in alumni newsletters. Not Okende or Grant or Fitzherbert.” I smirk. He has got some name recognition, and they use that to maximum benefit around here, it’s true. But he’s not the only one. And, to be honest, most of his notoriety is two decades behind him—and everyone knows it. Even Max. Especially Max. He was short-listed for the Guggenheim’s Hugo Boss Award in 1995 and hasn’t let anyone forget about it since. Most of what he’s done since then have been…lesser versions of those evocative works. As one of my crueler classmates put it, Max is an artist somehow derivative of himself. “Max—” Switzer hisses, their voices echoing into the vacant corridor. “Stop this. You’re overstepping. We have a full roster of dazzlingly talented and well-regarded faculty here at our school. This is not the Max Durant Institute for the Visual Arts. This is the Boston Institute—” “May as well be the former, and you know it.” I have to cover my mouth to keep from laughing my astonishment out loud. My eyes dart around the empty, gaping maw of the pinned-back double doors. They must be just off to the side. I can imagine Max, hands on hips, defiant, glowering down at the petite, choppy-haired Switzer, who no doubt is giving him as weary a look as he is giving her a ferocious one. “I helped make this place what it is. I’ve been here fifteen years. Fifteen years.” “Yeah, I know how long you’ve been here, my friend. I got you the job, if you’d care to remember.” She sighs. I can imagine her rubbing the bridge of her nose, trying to ward off a growing headache. I hear her starting to move toward the exit. I spring up lightly and jog down the hall a little, leaning into a dark alcove so I can watch them unseen. What a fun bit of theatre my Max is constructing. She breaks into the hall first, followed hotly by Max. “What a fucked-up thing to say,” Max says. “You didn’t get me anything.” “You know what I mean. I’ve been here for twenty-four years, Max. I was instrumental in getting you a position here—” Max starts to growl in protest. “Which I was happy to do because you are a credit to this institution,” she says firmly but quickly, trying to head off his anger. “But this institution is also a credit to you. None of us should ever forget that.” Max runs his hand through his black hair. It’s flecked with gray and long enough to have a handsome, foppish part. He tries another tack. “Think of the renaissance this place has undergone during my tenure.” “Without a doubt. But you did not do it alone.” It’s like she’s talking to a petulant child. “But I’m why you manage to get your grubby little hands on Picassos and Warhols and Sherolds in the first place. The Polk Room has the exclusivity it has because of people like me who have worked to make this place a destination. Even you must see that!” “My grubby little hands,” Switzer growls, her voice dropping to something more secretive, angrier. “Max,” she says with barely contained rage, “we have known each other for many years. Many, many years. You are, somehow, one of my best friends. And that is the only reason I am not going to formally reprimand you. But remember yourself, man. I am the president of this school. I am your boss. So you’d better chill the fuck out.” Switzer has her laptop pressed to her side under one arm and is pointing directly in Max’s face with her other hand. Max’s jaw grinds. “If I don’t get the Warhol spot in the Polk Room in our own Boston Institute Gallery over the summer, there will be hell to pay. And you will pay it. You.” He points right at her. “Is that a threat, Max?” Switzer stands a little taller against his increasingly out-of-control tone. A wolfish smile curls onto his lips. “No, Dana. No, of course not.” His voice softens, almost seductive. An about-face. “I—” He takes a breath, shakes his head out. It relaxes his countenance, makes him handsome and almost gentle again. “I’m sorry I lost my cool.” He breathes in through his nose, puts his fists on his hips. “You’re right—we are good friends. Excellent friends. We go way back. Which is why I know you will do the right thing here—” “Max…” she groans, rubbing her eyes. “I just feel that after all this time,” he pushes on, “and after all I have meant to the school, my body of work should speak for itself. That if there were ever a time for this institution to make a gesture on my behalf, after all I have done to bring acclaim to this place, that time would be now. That gesture would be this.” The two painters and professors look at each other. Switzer softens minutely at Max’s deep-blue eyes. I know the power of those eyes, of what they can do. I barely remember to breathe. Max and I have discussed this very thing many times at this point—his work going in the Polk Room. I know what it would mean to him. A silence has fallen between them, and Switzer seems to be relenting. “It would cost you nothing,” he goes on gently. “Nothing but a little humility. Which I know for you is asking a lot.” His tone shifts sharply, venomous. Oh, Max. So close. “You know what, Max, Professor Durant, why don’t you go take a flying leap.” Switzer turns away from him and storms around the corner. She’s completely disappeared within seconds. I look at Professor Durant, astonished at what I have just so publicly witnessed. To talk to the president of the institute that way—even if they do consider themselves friends. He looks pleased with himself. I study him in this secret moment, in this hidden frame in the film reel, and I see that he is relishing the small pain he has caused her. He made her fight him, soften, and then take a sucker punch. But then the bright glimmer of pleasure on his face drops away as quickly as it came. Something stormy moves in within seconds. The pleasure of the snipe is gone. He’s left only with his failure. With that empty wall in the Polk Room. He grabs the edge of a nearby table and violently lifts and slams its legs once, twice, three times into the floor. I jump at the noise as it echoes around the hall. He lets go, sucks in air sharply between his teeth, and pulls his hand up—it must be bleeding. He sucks on the skin between his thumb and forefinger. His eyes finally fall on me. Max Durant sees me. He removes his hand from his mouth, and like a mask, slides the charming smile I have come to know so well back on his face. His brow loses its storm, his vague snarl clears. Seeing me brings him back to himself. Oh, yes, Max sees me. And I see him, too.
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If that has tempted you, here is more info to whet your appetite…
SYNOPSIS:
Three campfire secrets. Two witnesses. One dead in the trees. And the woman, thirty years later, bent on making the guilty finally pay.
1988. A group of outcasts gather at a small, prestigious arts camp nestled in the Maine woods. They’re the painters: bright, hopeful, teeming with potential. But secrets and dark ambitions rise like smoke from a campfire, and the truths they tell will come back to haunt them in ways more deadly than they dreamed.
2018. Esteemed art professor Max Durant arrives at his protégé’s remote home to view her graduate thesis collection. He knows Audra is beautiful and brilliant. He knows being invited into her private world is a rare gift. But he doesn’t know that Audra has engineered every aspect of their weekend together. Every detail, every conversation. Audra has woven the perfect web.
Only Audra knows what happened that summer in 1988. Max’s secret, and the dark things that followed. And even though it won’t be easy, Audra knows someone must pay.
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MEET THE AUTHOR:
Katie Lattari [Luh-tairy] holds degrees from the University of Maine and the University of Notre Dame. Her first novel, American Vaudeville, a small indie press work, was published in 2016 and had previously been a semi-finalist in Subito Press’s annual fiction contest in 2013.
Her short fiction has been published in such places as NOO Journal, The Bend, Stolen Island, Cabildo Quarterly, Pennsylvania English, The Writing Disorder, and more. Her short story “No Protections, Only Powers” was a finalist in the Neoverse Short Story Writing Competition and later anthologized in Threads: A Neoverse Anthology.
This coming September 14, 2021, her debut thriller Dark Things I Adore will be published by Sourcebooks Landmark.
A native of Brooklyn, New York, Katie now lives in Bangor, Maine, with her husband Kevin, and their cat, Alex.
Happy Monday Bibliophiles! I’m thrilled to be starting the week by taking part in the cover reveal for an exciting debut out next Spring.
SYNOPSIS:
Liv has a lot of secrets. Late one night, in the aftermath of a party in the apartment she shares with two friends in Ålesund, she sees a python on a TV nature show and becomes obsessed with the idea of buying a snake as a pet. Soon Nero, a baby Burmese python, becomes the apartment’s fourth roommate. As Liv bonds with Nero, she is struck by a desire that surprises her with its intensity. Finally she is safe.
Thirteen years later, in the nearby town of Kristiansund, Mariam Lind goes on a shopping trip with her eleven-year-old daughter, Iben. Following an argument Mariam storms off, expecting her young daughter to make her own way home . . . but she never does. Detective Roe Olsvik, new to the Kristiansund police department, is assigned to the case of Iben’s disappearance. As he interrogates Mariam, he instantly suspects her – but there is much more to this case and these characters than their outer appearances would suggest.
A biting and constantly shifting tale of family secrets, rebirth and the legacy of trauma, Reptile Memoirs is a brilliant exploration of the cold-bloodedness of humanity.
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Reptile Memoirs is translated into English by Alison McCullough and will be published on March 17th, 2022. You can pre-order the book here*
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MEET THE AUTHOR:
Silje O. Ulstein (b. 1985) has a master’s degree in literature communication, and has previously attended the Academy of Writing and the School of Crime Writing. In 2017, she published three short stories in her debut anthology Signals . Reptile Moors is her first novel.
Welcome to my stop on the blog tour for this sensational thriller. Thank you to Bookouture for the invitation to take part and the gifted eBook ARC.
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SYNOPSIS:
The rain hammers the glass outside. My husband has stoked the wood burner with a fresh supply of logs, and I’ve just put a joint of beef in the oven. It’s the most clichéd Sunday afternoon ever, and it’s the most heavenly one, too. Little do I know that days later, the ash in the fire will be all that remains of us…
My perfect life…
I thought I had it all – a dream job as a doctor in small town, a stunning home and a family I adore – but that illusion shattered the moment my husband Jeremy left on a work trip and vanished without a trace. Now my son and I are all alone in the world.
My missing husband…
My best friend thinks Jeremy had an accident up in the mountains, that I’ll never see him again and need to move on. I know he loves us too much to ever abandon us, but my head is still spinning with the texts I found on his phone before he left. Did I ever really know the man I married?
The night I can’t remember…
Everything changed the night of the medical conference weeks before Jeremy disappeared. I wrack my brains for answers, but my memory goes blank after my first drink. Ever since, I’ve felt like I’m being followed and can’t explain why panic thunders in my chest every time I see my newest patient. If he’s not local to the village, then why does he seem so familiar? And so dangerous?
As I piece together the shards of what really happened that fateful evening, only one thing can possibly be true: everyone is lying, even me…
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MY REVIEW:
Samantha Hay is the queen of misdirection, red herrings and curveballs. And her latest book, The Trapped Wife, is just as tense and twisty as her others. And that ending? I did NOT see it coming. Not one bit. After being so sure I had it figured out she totally blindsided, leaving me with my jaw on the floor trying to figure out how on earth she’d done it yet again.
Jennifer Miller is trying to piece her life back together after the recent death of her husband in a tragic accident. The golden couple seemed to have it all. But behind closed doors was a different story, one that Jen is still trying to conceal after Jeremy’s death. She hasn’t even confided these secrets in her best friend, especially the dark secret about the night she can’t really remember; the night that echoes in her memory through fleeting flashbacks. But then one of those secrets comes back to haunt her in person and Jen finds herself in a living nightmare.
In a second timeline we meet a young, troubled boy full of dark thoughts. He forms a bond with a kindred spirit, creating a club where they fantasise about revenge on those who have hurt them. It’s all harmless fun, until one day when he decided to make the fantasies a reality. But just how are the two timelines connected? What could this troubled boy have to do with the respectable widow? I had so many suspicions and predictions, but were they right?
Ms. Hayes is one of my auto-read thriller authors. When you pick up one of her books you know you’re getting a gripping thriller and, once again, she did not disappoint. Cleverly plotted, intricately woven, and full of crazy twists, the author has filled this book with emotion, yet there is a coldness that lingers over the pages. An emptiness that doesn’t only surround the loss of Jeremy, whose presence is always felt despite his death happening before the story begins. There is a pervading atmosphere of malice and foreboding; a powder keg just waiting for a spark. And when it did, it exploded many lives in the process. I tore through the pages, not wanting to put it down or even sleep. Though I eventually forced myself to sleep at 2am and finished it the next day.
The characters are brilliantly written and compelling. There’s an increasing sense of claustrophobia as Jen’s world closes in around her, her stress and anxiety rising as she tries to stop it from crumbling even more. Scott is such a fantastic villain that he sent shivers down my spine each time he was on the page, the feelings he gave Jen radiating from the pages into my own body. He oozesmalevolenceand I had no doubt he’d stop at nothing to get what he’d set his sights on. I really liked Rhonda, Jen’s best friend. She was a great character who went out of her way to help her friend, and I was shouting at the book for Jen to just confide the truth to her so they could work together to figure things out and escape his clutches.
But nothing, and no-one, is what they seem in this twisty story. There are secrets much darker than you imagine lurking in the shadows. Revelations that will make your head spin. I was on the edge of my seat from beginning to end, and I’m still reeling from that final twist that hit out of the blue.
Fiendishly dark, surprising and suspenseful, The Trapped Wife is a must read for any thriller lover.
Rating: ✮✮✮✮.5
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MEET THE AUTHOR:
Samantha Hayes grew up in a creative family where her love of writing began as a child. Samantha has written eight thrillers in total, including the bestselling Until You’re Mine. The Independent said “fantastically written and very tense” while Good Housekeeping said “Her believable psychological thrillers are completely gripping.” Samantha’s books are published in 22 languages at the last count.
When not writing, Samantha loves to cook, go to the gym, see friends and drink nice wine. She is also studying for a degree in psychotherapy. She has three grown-up children and lives in Warwickshire.
Published: August 19th, 2021 Publisher: Michael Joseph Genre: Thriller, Suspense, Psychological Thriller, Psychological Fiction Format: Hardcover, Kindle, Audio
Welcome to my stop on the blog tour for this breathtaking thriller. Thank you to Michael Joseph for the invitation to take part and the gifted copy of the book.
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SYNOPSIS:
SOME LESSONS CAN BE DEADLY . . .
Teddy Crutcher won Teacher of the Year at the prestigious Belmont Academy. Everyone thinks he’s brilliant. Only you know the truth.
They all smile when he tells us his wife couldn’t be more proud. But no-one has seen her in a while.
They’re impressed when he doesn’t let anything distract him – even the tragic death of a school parent. Even when the whispers start, saying it was murder.
You’re sure Teddy is hiding something about what happened that day.
You’re sure you can prove it.
But you didn’t stop to think that when it comes to catching a killer, there’s no place more dangerous than just one step behind . . .
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MY REVIEW:
Dark academia, deadly secrets and a dash of poison. A teacher who will do anything for his students. Entitled rich kids and their parents who will do whatever it takes to guarantee their success. But it’s all for your own good…
Samantha Downing is one of the freshest and most outstanding voices in thriller fiction today. So when I heard her latest book was dark academia and has been optioned by HBO Max and Robert Downey Jnr, I was there with bells on. As a huge fan of this author, my expectations were high, and she blew them out of the water.
Unnerving, atmospheric and intriguing, For Your Own Good is a Russian doll of a book; so many hidden layers, secrets, twists and turns just waiting to be revealed. And every time you think you have it figured out, you find something else nesting inside. Exquisitely written, cleverly crafted, and deftly told, Ms. Downing just gets better and better. She had me so transfixed that I couldn’t stop thinking about the book and felt desperate to get back to it when I wasn’t reading.
The story is told from multiple points of view, taking us inside the minds of students and teachers at Belmont Academy, a private prep school full of entitled rich students under pressure to be the best of the best. Only the elite attend. And kids find themselves caught between demanding teachers and parents who will accept nothing but the best from them. It’s for them, they are told. For their futures. So they don’t complain or argue. They endure and survive.
This is a book filled with deeply flawed characters. Even the most likeable ones are not always what they first appear to be; something darker lurking beneath the surface. They all have their masks they wear to make it through each day: whether it’s Teddy and his perfect teacher mode, Sonia telling herself that “today will be a good day” and talking herself down from her competitiveness, or Zach plastering on a smile and nodding in agreement with his parents or teachers while dying inside. They are all brilliantly written, the author once again using her skill of bringing characters to life to evoke a visceral reaction in the reader.
Our main protagonist is Teddy Crutcher. Recently crowned Teacher of the Year, Teddy is a petty, bitter man with a superiority complex. He seems to dislike everyone, thinking the worst of them, and delights in doing anything possible to pull them down or take revenge over the smallest perceived slight. But he tells himself he’s helping them, making them better people and teaching them life lessons. And he’s willing to go to extraordinary lengths to do that. Including murder. Teddy is brilliantly written. He’s instantly unlikeable, though the true depths of his villainy are hidden behind a mask of professionalism and delusion. Cold, callous and calculating, the truly frightening thing about him is that he is totally unapologetic of his actions, even proud of them, and sees himself as these people’s saviour. All while plotting their downfall and demise.
Deliciously dark, devious and menacing, the tension rises with every shocking twist in this propulsive thriller. It will make your jaw hit the floor and leave you reeling. But the author balances that with moments of dark humour and emotion that enhance the charm of this book. If you love a well-written and atmospheric thriller, then this is for you. Read it now!
Rating: ✮✮✮✮✮
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MEET THE AUTHOR:
Samantha Downing is the author of the bestselling My Lovely Wife, nominated for Edgar, ITW, Macavity, and CWA awards. Amazon Studios and Nicole Kidman’s Blossom Films have partnered to produce a feature film based on the novel. Her second book, He Started It, was released in 2020 and became an instant international bestseller.
For Your Own Good was released on July 20, 2021. It has been optioned by Robert Downey Jr. and Greg Berlanti for HBO Max.
Welcome to my stop on the blog tour for this outstanding legal thriller. Thank you to HQ for the invitation to take part and the gifted eBook ARC.
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SYNOPSIS:
ON AN ORDINARY WORKING DAY…
Leila Syed receives a call that cleaves her life in two. Her brother-in-law’s voice is filled with panic. His son’s nursery has called to ask where little Max is.
YOUR WORST NIGHTMARE…
Leila was supposed to drop Max off that morning. But she forgot.
Racing to the carpark, she grasps the horror of what she has done.
IS ABOUT TO COME TRUE…
What follows is an explosive, high-profile trial that will tear the family apart. But as the case progresses it becomes clear there’s more to this incident than meets the eye…
A gripping, brave and tense courtroom drama, Next of Kin will keep you on the edge of your seat until the final, heart-stopping page.
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MY REVIEW:
Next of Kin examines a truly devastating tragedy: the accidental death of a child caused by his loving aunt. She claims she forgot he was in the back of the car but the prosecution says she left him there deliberately. Who is telling the truth?
Authors take note, because THIS is how you write a gripping legal thriller. Once again, Abdullah takes a shocking crime and puts a thought-provoking spin on things. This trope is proving to be her signature and forte; executed to perfection each time as she makes you ponder the grey areas of a crime, holds you hostage in breathless anticipation, and throws in some shocking twists.
The book opens with a normal family get together that quickly gives way to crushing and heartbreaking scenes as three-year-old Max dies after being left in a hot car by his Aunt, Leila. As we learn his fate the pain and anguish is palpable. It is like you can actually feel their hearts shattering. Tears stung my eyes and my heart ached as I read. The emotions continue to leap from the pages as the family try to deal with Max’s tragic death, Leila’s possible guilt, the impending court case, and an array of family secrets lurking in the shadows.
Every facet of this book is spectacularly written. The story and characters are nuanced, compelling and full of depth. As with all this author’s books, this is a story that has many layers and deals with a multitude of topics, going beyond simply the crime that took place. At the heart of this book is a family who have been visited by tragedy many times. She explores the effect this has on mental health and how trauma and jealousy can affect our perception of people and events, often clouding our ability to see things clearly. She asks just how much someone can take before they break and examines the complicated threads that can both hold a family together and threaten to tear it apart.
Another aspect of Ms. Abdullah’s books I admire, is how she uses them as a social commentary, focusing on a different issue in each one. In Next of Kin it is childless women. Leila isn’t a mother, and through this she explores how it feels to be a childless woman in our society. She shows how these women are scorned, viewed as cold and selfish and looked down upon. In Leila’s case, her childlessness is even used against her as a reason she’d want to kill her nephew, adding to the already pervading sense of injustice you feel on her behalf.
Sizzling with tension, this book will keep you on the edge of your seat right until the last page, the author slowly peeling away the layers to reveal the hidden truth. And just when I thought I’d got it all figured out… Holy twist, Batman! In comes a curve ball that hits like a bomb and blows everything I thought I knew into pieces. Days later I’m still reeling from the shock.
Gritty, hard-hitting and addictive, this is one of the best legal thrillers I’ve ever read. Ms. Abdullah just keeps getting better and better and is now my go-to author recommendation in this genre, overtaking John Grisham, who I’ve been a huge fan of since my mid teens. If you haven’t read her books, then what are you waiting for? Do it now!
Rating: ✮✮✮✮✮
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MEET THE AUTHOR:
From the author’s website: Kia Abdullah is an author and travel writer from London. Her novel Take It Back was named one of the best thrillers of the year by The Guardian and Telegraph and was selected for an industry-first audio serialisation by HarperCollins and The Pigeonhole. Her follow-up novel, Truth Be Told, is out now (Mar 2021, HarperCollins).
Born in Tower Hamlets in East London, Kia was raised in a family of eight children. As the most stubborn of six daughters, she constantly found herself in trouble for making choices that clashed with her parents’, a habit they came to accept when she became their first and only child to graduate from university – with a degree in Computer Science.
In 2007, Kia left her job in tech to pursue the one thing she had always wanted: a career as a writer, taking a 50% pay cut in the process. She worked as sub-editor and later features editor at Asian Woman Magazine where she interviewed British-Asian luminaries like Riz Ahmed, Meera Syal, Nitin Sawnhey and Anoushka Shankar.
Kia went on to join global publisher Penguin Random House where she helped grow digital readership at Rough Guides to over a million users per month. In 2014, she quit her day job to found Atlas & Boots, an outdoor travel blog now read by 250,000 people a month.
Today, she splits her time between London and the Yorkshire Dales town of Richmond, and spends her time writing, hiking, mentoring pupils from Tower Hamlets and visiting far-flung destinations for Atlas & Boots.
Kia loves to travel, hates to cook and periodically highlights that, in actual fact, she is one of nine children (one passed away), making her Seven of Nine… which is cool but only if you’re a Star Trek fan… which she is. But please don’t hold it against her.
Welcome to my stop on the blog tour for this addictive and macabre thriller. Thank you to Orion for the invitation to take part and the gifted finished copy of the book.
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SYNOPSIS:
1989 DS Benjamin Chambers and DC Adam Winter are on the trail of a twisted serial killer with a passion for recreating the world’s greatest works of art through the bodies of his victims. But after Chambers almost loses his life, the case goes cold – their killer lying dormant, his collection unfinished.
1996 Jordan Marshall has excelled within the Metropolitan Police Service, fuelled by a loss that defined her teenage years. Obsessed, she manages to obtain new evidence, convincing both Chambers and Winter to revisit the case. However, their resurrected investigation brings about a fresh reign of terror, the team treading a fine line between police officers and vigilantes in their pursuit of a monster far more dangerous and intelligent than any of them had anticipated…
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MY REVIEW:
A brutal killer is recreating famous works of art through his victims. But when one of the officers chasing him almost becomes one of his grim statues, the killer stops and the trail goes cold. Seven years later, a trainee officer is determined to find the killer and get justice for someone she loved. But in doing so, she brings the killer out of hiding. Enlisting the help of the officers who originally investigated the case, can they catch him before he completes his macabre collection?
When a book starts with an eerie, sinister prologue titled ‘The Day Death Came Visiting’, you know you’re onto a winner. Jumping straight into the action, this book takes you on a terrifying rollercoaster ride: where you’re holding on for dear life, yet loving every minute.
Mixing murder, art and mythology, the author has crafted something unique: a brutal yet elegant thriller that is completely addictive. This is a killer who has a reason behind everything. And it is only once we get deeper inside his psyche and learn his reasons, that we truly understand this killer. There is a sickening beauty to his statues, and as a reader I appreciated the depth of research that was done and the inclusion of drawings of the statues he was recreating as I’d never seen them for myself. He is a truly terrifying creation. Evil and disturbed, yet also strikingly human. And it is that realism that makes this story resonate so deeply with me. That chilled me to my core.
The officers hunting the killer were great characters that I liked, found easy to root for and had a great dynamic, their differences working for them rather than against them. I also enjoyed that the story was set in 1989 and 1996. It was like going back to my youth as I read about them scrambling to find a phone box and being unable to contact people when they weren’t home. It definitely made finding a killer and communicating while on a case more difficult, but I liked the extra tension, and humour, that it brought to the story.
This was my first foray into Daniel Cole’s books, though I’ve obviously read the rave reviews for his Ragdoll series, and I am an instant fan. The writing is sharp, tense, chilling and full of black humour. I was hooked! Reading in breathless anticipation and unable to turn the pages fast enough as they hunted the killer.
Intelligent, gritty, and addictive, this thriller will have your heart racing. I highly recommend this to anyone who enjoys a walk on the dark side…
Rating: ✮✮✮✮✰
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MEET THE AUTHOR:
Daniel Cole is the Sunday Times bestselling author of the Ragdoll trilogy, which has now been published in over thirty countries. A TV adaption is currently in the works and his fourth novel is due to be published late-summer 2021. He has worked as a paramedic, an animal protection officer, and with the beach lifeguards, but for the past five years has been describing himself on paperwork as a ‘full-time writer’. He lives on the south coast of England and divides his time between the beach and the forest.
Welcome to my stop on the blog tour for this mind-blowing thriller. Thank you to Hera Books for the ARC.
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SYNOPSIS:
Her missing daughter was just the start of the nightmare
Twenty years ago, Christine Donovan took a call she should have ignored while shopping. In those few seconds while her back was turned, her toddler, Heidi, was kidnapped. She’s never been seen again.
Despite having two other children with husband Greg, Christine remains guilt-stricken that her neglect caused her child to be stolen, while haunted by a secret that consumes her.
Just as she takes measures to finally heal, a note is posted through her door, with the words she has always longed to hear: Heidi isn’t dead.
Christine might finally get the answers she craves – but what she doesn’t know is that finding her daughter will uncover dark secrets close to home.
In seeking the truth, Christine might destroy everything that she loves … so how far is she willing to go to find Heidi?
With a truly jaw-dropping end twist, She’s Mine is a dark, scandalous, and gripping read from a major new talent in psychological thriller writing. For fans of Harriet Tyce, C.L. Taylor and Apple Tree Yard.
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MY REVIEW:
Secrets. Lies. Deceit. Vengeance. A mother’s worst nightmare come true. These are the things at the heart of this twisty psychological thriller. Like an iceberg, there is much more to this story than at first appears; layers hidden beneath the surface that slowly reveal themselves to the reader. Intricately woven and expertly plotted, the author skillfully crafts a hall of smoke and mirrors where nothing is quite what it seems and each time you think you have it figured out, that things couldn’t get any more dark, sinister or shocking, Chaudhuri pulls the rug from under you and leaves your jaw on the floor.
Utterly mind-blowing and addictive, this is exactly the kind of dark and twisted thriller that sings to me. A story oozing with atmosphere that has tension leaping from the pages. It takes you on a wild ride, your heart pounding as you immerse yourself in this convoluted game of revenge. My mind was full of so many theories and suspicions, and I couldn’t turn the pages fast enough, unable to turn away as things spiraled more and more out of control. But would I be proven correct or be blindsided by the truth? I couldn’t wait to find out.
The author tells the story from multiple points of view and various timelines, seamlessly shifting between them and creating a connection between the reader and each character. It offered us a glimpse of the fuller picture. An insight into the character’s true selves. What they really think and feel. The things they kept secret from those closest to them. It allows us to explore their deepest, darkest memories, dreams and fantasies in a way that wouldn’t have been possible if we’d only had one or two points of view.
What I think I loved most about this story is the complex, fractured and unlikeable characters. No one is completely innocent. And no one is completely guilty. A miasma of despair surrounding them. It is a hard feat to pull off writing so many unlikeable characters while also making them compelling, but Chaudhuri does so with finesse, managing to add sympathetic qualities to even the most detestable characters. A great example of this is Chrissy. As the mother of the missing child you would traditionally expect her to be a very likeable, sympathetic character. But she’s not. She repeatedly makes bad choices and is a selfish woman who made me frustrated and angry most of the time.
She’s Mine is a dark, devious, warped and suspenseful psychological thriller that quite honestly blew my mind. And that ending: Wow! It was impossible to predict, my jaw was on the floor when the kidnapper was unmasked and the truth was revealed. This is by far one of the best thrillers I’ve read in a long time. If you like this genre then READ THIS BOOK.
Rating: ✮✮✮✮✮
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MEET THE AUTHOR:
A. A. Chaudhuri is a former City lawyer. After gaining a degree in History at University College London, she later trained as a solicitor and worked for several major London law firms before leaving law to pursue her passion for writing. She is the author of The Scribe and The Abduction, books 1 and 2 of her Kramer & Carver legal thriller series featuring the feisty Maddy Kramer, also published in audio. Her first psychological thriller with Hera Books, She’s Mine, will be published in 18th August 2021. Represented by Annette Crossland of A for Authors Literary Agency, she lives in Surrey with her family, and loves films, all things Italian and a good margarita!
#1 Amazon Australia Amateur Sleuth Mysteries (Aug ’19); #1 Amazon Canada Women Sleuth Mysteries; (Aug ’19) top 10 Amazon UK Legal crime thrillers (Aug ’19); #1 Amazon Australia Legal Thrillers (November ’19)
Today I’m delighted to revealing the striking cover for Care For Me, an exciting debut out this autumn.
SYNOPSIS:
When Amira takes her mother Afrah to Ravenswood Lodge Care Home, she thinks they will both be safe. But the past is just around the corner . . .
Amira is struggling to look after her mother, Afrah. So when they arrive at Ravenswood Lodge Care Home, beautiful and imposing against the background of the Scottish Highlands, she hopes it is the right decision for them both.
But soon Afrah insists her belongings are being stolen, her photographs, her jewellery, her pill boxes, Amira and the staff are convinced it’s just Afrah’s imagination, it’s just her memory.
But Afrah knows Ravenswood Lodge isn’t a safe place. Could it have something to do with the past? She remembers newspaper clippings, hazy images of a fire years ago, a memory she’s spent years forgetting and now she just wants to remember.
Someone wants her gone. But first, she needs to convince Amira of the truth.
The compelling, heartbreaking debut novel by Farah Cook, about mothers and daughters, and secrets that are never really forgotten . . .
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Doesn’t that sound fantastic? I’ve been lucky enough to get an exclusive look at the early pages of the book and it had me hooked! I can’t wait to read the rest of the book and definitely recommend adding this one to your tbr.
The eBook is out September 30th and the paperback on October 21st. You can pre-order the book here*
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MEET THE AUTHOR:
Farah Cook is a Danish writer of Pakistani descent. She grew up in Copenhagen with a creative and explorative childhood spent mostly outdoors. At the age of twelve, she began writing several short stories to fuel her passion for storytelling. Later, Farah graduated with a BA in Social Science from Sweden, an MA in Arts from London and an MA in Creative Writing from the University of Surrey. Farah has lived in many countries, including Germany and New Zealand, but settled in London where she worked as a Marketing Manager for a large financial conglomerate. Her passion for storytelling remained, and at night she started to write all the things she’d imagine.
An alumna of the Faber Academy in London, Farah now lives in Bad Homburg, just outside Frankfurt, with her husband and two sons. She speaks six languages fluently including Danish, Swedish and German, and writes full-time.
