
Published September 21st, 2023 by Pan Macmillan
Historical Fiction, Mythlogy, Fantasy
I’m a little late due to illness, but here is my review for this laybrinthing and mesmerising gothic tale. Thanks to Chloe and Pan Macmillan for the invitation to take part in the blog tour and for the gifted copy of the book.
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SYNOPSIS:
‘A labyrinthine delight of a novel . . . Dickensian darkness is infused with ancient myth. Historical writing at its finest . . . .’ Essie Fox, bestselling author of The Somnambulist and The Fascination
London, 1861: Ten-year-old Nell belongs to a crew of mudlarks who work a stretch of the Thames along the Ratcliffe Highway. An orphan since her mother died four years past, leaving Nell with only broken dreams and a pair of satin slippers in her possession, she spends her days dredging up coals, copper and pieces of iron spilled by the river barges – searching for treasure in the mud in order to appease her master, Benjamin Murdstone.
But one day, Nell discovers a body on the shore. It’s not the first corpse she’s encountered, but by far the strangest. Nearly seven feet tall, the creature has matted hair covering his legs, and on his head are the suggestion of horns. Nell’s fellow mudlarks urge her to steal his boots and rifle his pockets, but as she ventures closer the figure draws breath and Nell is forced to make a decision which will change her life forever . . .
From the critically acclaimed author of The Toymakers comes an imaginative retelling of the legend of the Minotaur, full of myth and magic and steeped in the grime of Victorian London; perfect for lovers of historical fiction with a mythical twist.


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MY REVIEW:
“They damned him in legend. Well, it’s always easy to damn a man who’s different, isn’t it?”
The familiar legend of the minotaur gets a makeover in this magnificent tale.
London, 1861. Ten-year-old Nell is part of a crew of mudlarks who spend their days searching a stretch of the Thames along Ratcliffe Highway for treasures to placate their master, Benjamin Murdstone. Then one day she finds something unexpected among the usual lumps of coal and iron: the corpse of a huge creature, almost seven feet tall with what seem to be horns on his head. But as she’s trying to decide if she should take his boots and rifle his pockets for things to sell, she realises it is still alive and is forced to make a decision that will change the course of her life…
“From the front, he was less car a man; in profile, more bestial still… His eyes were marked not in fury but in caution and terror. They rolled, just like a fawn’s as it tries to take in the world it’s just been instructed it will have to survive.
It wasn’t only Nell who was shaking. The stranger was shaking too.”
What comes to mind when you think of the Minotour? Beast. Giant. Brute. Savage. Behemoth. Monster. But what about his human side? It is here that Dinsdale succeeds in showing us that we may think we know this mythical creature but there is so much we don’t know. Have we ever taken the time to understand his pain, dreams and desires? This is the Minotour like you have never seen or imagined him before. Through Minos’ character, Dinsdale lays bare the deepest parts of the Minotaur’s soul, showing us the human side of him for what feels like the first time while examining the monster that lives inside all of us and asking us to consider what it is that makes us human.
“The mudlark and the monster, staring at each other across the dancing flames. The things I find in the mud, they should change my life. Those words seemed to fill up the whole of the seaward cave – for wasn’t Minos one of those things?”
Robert Dinsdale’s The Toymakers is one of my all-time favourite books, and I’m a sucker for a Greek mythology retelling, so I was excited to read his take on the Minotaur myth. At almost 500 pages this book is quite the tome, and I did think it could have done with being a bit shorter as there are times it seems to lose its way a little. But it always finds its way back and Dinsdale has created a story that truly stands out from the crowd, not only because of the book’s striking cover. The writing is melodic and almost dreamlike in places, giving us a Dickensian vibe as Dinsdale merges Victorian Gothic with myth and history. It is evocatively illustrated, transporting me back to Victorian London so vividly that it felt like I could see the smoke rising from the chimneys, smell the pungent air, and feel the biting cold of winter. It was a cruel and unforgiving place for many, something Dinsdale explores through characters who are living on the margins of life, doing whatever they must to survive another day, and dreaming of maybe one day lifting themselves into a better life. They are a flawed, fractured group of people and some choose to be kind, while others choose cruelty or betrayal. But they all pull us into their lives and make us root for their success or comeuppance. Young Nell was by far my favourite character and a real joy to read. Feisty, determined, this young orphan has no-one and nothing in the world yet she has the kindest soul. I was rooting for her to fulfil her dreams and adored the sweet friendship she and Minos shared.
Labyrinthine, mesmerising, imaginative and heartfelt, Dinsdale held me in his thrall as he spun his magical tale, my heart pounding as we raced towards that chilling finale. A truly astonishing piece of gothic fiction, Once A Monster will change how you look at this well-known myth forever..
Rating: ✮✮✮✮.5
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MEET THE AUTHOR:

Robert Dinsdale was born in North Yorkshire and currently lives in Leigh on Sea. His novels include; The Harrowing (Faber 2010) Three Miles (Faber, 2011) Little Exiles (HarperCollins, 2013) Gingerbread (HarperCollins, 2014), and Paris by Starlight (Del Rey, 2020).
His first venture into magic, The Toymakers, was published by Ebury in 2018.
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BUY THE BOOK:
Waterstones* | Bookshop.org* | Amazon*
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Thanks for reading Bibliophiles xxxx

Please check out the reviews from the other bloggers taking part in the blog tour.
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