Published August 3rd, 2023 by Manilla Press Historical Ficiton, Romance Novel, Retelling
Welcome to my review for this dark and irresistable retelling. Thank you to Manilla Press for sending me a copy of the book in exchange for my honest review.
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ABOUT THE BOOK:
One of the most anticipated novels of the year – the captivating and powerful untelling of Romeo & Juliet . . .
The first time Romeo Montague sees young Rosaline Capulet he falls instantly in love. Rosaline, headstrong and independent, is unsure of Romeo’s attentions but with her father determined that she join a convent, this handsome and charming stranger offers her the chance of a different life.
Soon though, Rosaline begins to doubt all that Romeo has told her. She breaks off the match, only for Romeo’s gaze to turn towards her cousin, thirteen-year-old Juliet. Gradually Rosaline realises that it is not only Juliet’s reputation at stake, but her life.
With only hours remaining before she will be banished behind the nunnery walls, will Rosaline save Juliet from her Romeo? Or can this story only ever end one way?
A subversive, powerful untelling of Shakespeare’s best-known tale, narrated by a fierce, forgotten voice: this is Rosaline’s story.
Hamnet meets My Dark Vanessa in this fierce, feminist, intensely gripping novel; captivating and chillingly relevant, FAIR ROSALINE takes everything you thought you knew about Romeo and Juliet and turns it on its head . . .
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MY REVIEW:
We all know the story of Romeo and Juliet. Or, at least we think we do.
Spellbinding, poignant, dark and irresistible, Fair Rosaline is a feminist ‘untelling’ of the famous love story. And once you’ve read it you will never look at the much-loved classic the same way again. Told from the perspective of Rosaline, Juliet’s cousin and the girl who Romeo romanced before her, this version is a story of love, sex and coercion.
Beautifully written, Natasha Solomon’s poetic prose is filled with emotion whilst also setting the scene vividly. The streets of Italy come alive, the characters leap from the pages and you can feel the heartache of forbidden love on every page. Rosaline isn’t a character I’d given a lot of thought to before this book, but I loved hearing what Solomons imagined to be her story and connected with her quickly. Meanwhile, we meet a very different Romeo in this book to the one we’ve seen before. This Romeo is not a hero, but a predator, who love-bombs, gaslights and controls, while Rosaline and Juliet are his naive prey. It’s powerful and thought-provoking, making me question everything I thought I knew about a story I’d long loved.
Fierce, bold, complex and compelling, this powerful retelling is a must-read.
Rating: ✮✮✮✮✰
*I listened to this on Bookbeat. Click here to listen for 60 days free using my affiliate link*
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ABOUT THE AUTHOR:
From Natasha’s Amazon Author Page: I’ve always worked as a writer more or less. After University I completed an MPhil in Eighteenth century literature at the University of Glasgow and then began a doctorate researching Women’s Romantic Poetry and the Domestic Muse.
Unfortunately, I became un-stuck on a chapter on Verse Letters and so began writing my first novel as way of avoiding correcting the footnotes. My entire career to date has been an extremely elaborate form of avoiding that tricky chapter…
I still love research and writing immersive fiction and hate footnotes. I live in Dorset, in a thatched cottage with my husband — the award winning children’s writer David Solomons – and our children and Labrador, Mr Bingley. Sometimes David and I write screenplays together. Then we argue about them.
Published October 31st, 2023 by Tor Gothic Fiction, Contemporary Fantasy, Fairy Tale, Mythology, Dark Fantasy
Welcome to my review for the eerie and unsettling gothic fantasy, Starling House, which was the October Reese’s Book Club pick. Thank you to Tor and Black Crow PR for my copies of the book.
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SYNOPSIS:
A Reese Witherspoon Book Club Pick
‘Alix E. Harrow is an exceptional, undeniable talent’ – Olivie Blake, author of The Atlas Six
Step into Starling House – if you dare . . . Alix E. Harrow reimagines Beauty and the Beast in this gorgeously modern Gothic fantasy, perfect for fans of V.E. Schwab and Naomi Novik.
Nobody in Eden remembers when Starling House was built. But the town agrees it’s best to let this ill-omened mansion – and its last lonely heir – go to hell. Stories of the house’s bad luck, like good china, have been passed down the generations.
Opal knows better than to mess with haunted houses, or brooding men. But when an opportunity to work there arises, the money might get her brother out of Eden. Starling House is uncanny and full of secrets – just like Arthur, its heir. It also feels strangely, dangerously, like something she’s never had: a home. Yet Opal isn’t the only one interested in the horrors and the wonders that lie buried beneath it.
Sinister forces converge on Eden – and Opal realizes that if she wants a home, she’ll have to fight for it. Even if it involves digging up her family’s ugly past to achieve a better future. She’ll have to go down, deep down beneath Starling House, to claw her way back to the light . . .
This is a romantic and spellbinding Gothic fairytale from Hugo, Nebula and Locus Award-shortlisted Alix E. Harrow.
‘Starling House is Alix E. Harrow’s greatest work yet’ – Ava Reid, author of Juniper and Thorn
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MY REVIEW:
“Dreams are just like stray cats. If you don’t feed them they get lean and clever and sharp-clawed, and come for the jugular when you least expect it.”
Starling House is the ‘haunted house’ that Eden’s residents avoid. Stories about curses, bad luck and even murder have been passed down for generations. Opal knows she should stay away from the foreboding, dilapidated mansion, but there’s something drawing her to it. And when she’s offered a job by Arthur, its strange and mysterious heir, the offer is too good to resist; a chance to finally save enough money to get her brother, Jasper, out of this small town and into a better life. But there’s a darkness to Arthur Starling and his house, something dangerousthat makes Opal wonder if the stories might be true after all…
Unsettling, eerie and forbidding, Starling House is a gorgeous dark gothic fantasy filled with magic, monsters, secrets and suspicion. In her beautifully written and alluring reimagining of Beauty and the BeastAlix E. Harrow has crafted a phantasmagoria of mystery, fantasy and horror that is impossible to resist. Much like the eponymous house, it pulls you in and transports you to another world, holding you under its spell until the last page. There are many things I loved about Ms. Harrow’s writing but I particularly enjoyed how she had Opal talk directly to the reader so you feel like you’re part of an intimate conversation rather than reading fiction. I also loved that she included footnotes throughout the book that made it seem like we’re reading an account of actual events and playing into making the story so believable. I had to keep reminding myself that all of this was fiction and the product of an author’s evocative imagination.
“I should probably be freaked out—this place is eerie and endless, a rotting labyrinth—but mostly I just feel sorry for it. Starling House makes me think of an underfed pet or a broken doll, a thing unloved by the person who promised to love them best.”
The story is told by two narrators: Opal and Arthur. Opal is the underdog, a down-on-her-luck orphan caring for her younger brother who is scraping together every penny to survive. Spiky, fierce and spirited, you can’t help cheering her on, even as she does things you don’t approve of. After all, she’s simply trying to survive. Arthur, the heir and Warden of Starling House, takes more warming up to. Eccentric, cryptic and strange, he’s creepy at first but Harrow gives this reclusive character a beating heart, making the beast human and someone we feared into someone we care about. It’s an irresistible redemption tale that is perfectly executed. And while they may appear to be vastly different, they actually have a lot in common: they are both orphans who people of the town gossip about, look down on and are suspicious of, and they are both filled with a sense of duty: Opal to her brother, Jasper, and Arthur as Warden of Starling House. I loved watching their stories unfold and their relationship grow. By the end I was rooting for them both and hoping for a happy ending.
“The House wants her, and the House is stubborn… He doesn’t know why it would want her of all people: A freckled scarecrow of a girl with crooked teeth and holes in the knees of her jeans, entirely unremarkable except for the steel in her eyes. And perhaps for the way she stood her ground against him. He is a ghost, a rumor, a story whispered after the children have gone to bed, and she was cold and hurt, all alone in the rising dark—and yet she hadn’t run from him until he told her to. The House has always had a taste for the brave ones.”
Starling House is more than a house. It’s a living, breathing entity and an important character in the book. When you step over its threshold you’re transported to another world. One that is dark, terrifying and secretive. Where there is magic, monsters and mythical creatures. But there’s so much more; the house seems to have a consciousness, feelings, a heartbeat. Its darkness is seductive and it pulls you in, just like it drew Opal to its gates. And while this world is filled with unbelievable things, Harrow makes it feel totally believable as she combines the perfect amount of the magical, supernatural and mythical with reality that makes us buy into its existence and lose ourselves inside it.
“Small towns are supposed to be cozy and friendly, like perfect little snow globes, but me and Jasper have always been kept on the other side of the glass.”
The town of Eden is also very important to the story. This small town lives and breathes legend. Everyone and everything is cursed and the residents simply turn a blind eye. They also turn a blind eye to prejudice and suffering, topics that are explored throughout the book and we see examples of in both narrators’ lives. There is also an overwhelming feeling of claustrophobia that comes from this small-town setting and Starling House, adding to the tense and sinister air that hovers over every page.
Darkly atmospheric, haunting, dreamlike and bewitching, this mesmerising gothic fantasy is a must read.
Rating: ✮✮✮✮.5
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MEET THE AUTHOR:
Alix E. Harrow is the NYT-bestselling author of The Ten Thousand Doors of January, The Once and Future Witches, Starling House, and various short fiction, including a duology of retold fairy tales (A Spindle Splintered and A Mirror Mended). Her work has won a Hugo and a British Fantasy Award, and been shortlisted for the Nebula, World Fantasy, Locus, Southern Book Prize, and Goodreads Choice awards.
She’s from Kentucky, but now lives in Charlottesville, Virginia with her husband and their two semi-feral kids.
Published: March 18th, 2021 Publisher: HarperVoyager Format: Hardcover, Kindle, Audio Genre: Fairy Tale, Dark Fantasy, Historical Fiction, Historical Fantasy, Gaslamp Fantasy
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Today, I’m delighted to be taking part in the blog tour for The Shadow in the Glass, and sharing an extract from this retelling of Cinderella.
EXTRACT:
If anyone caught her, Eleanor would be dismissed on the spot. The house clicked and creaked as it settled into sleep, the heat of the last days of August quietly slipping into the night. Eleanor was the only one awake. On silent feet, she was as insubstantial as a flame. She could drift past cold fireplaces and dust sheets looming like glaciers and all she would leave behind was the faintest stirring in the air.
Candlelight shimmered on the walls as she crept into the library. The dark spines of the books were rows of windows, waiting for the shutters to be pulled back. Open one, and she would know the secrets of Ottoman palaces; open another, and she would gaze across deserts. Granborough House would fade away. Eleanor smiled. Some things were worth risking dismissal for, especially with the master out of the house for the evening.
Eleanor set down her candle and surveyed her subjects. Damp equatorial rainforests, steaming in the heat. Versailles, glittering in the dark like an Earthbound star. Verona – Juliet on her balcony, sighing into the darkness. It was a perfect night for poetry: she could stretch out her legs and whisper sonnets into the slow, hot silence. But she would cry, and Mrs Fielding would be able to tell the next morning. Better to keep her face blank, in case the housekeeper grew curious. Eleanor locked the door, slipping the library key back up her sleeve. She’d stolen the key from Mrs Pembroke’s house- keeping chatelaine. Even though the mistress of the house had been dead for more than three years, shame still crawled under Eleanor’s skin when she went through Mrs Pembroke’s things. Not that Mrs Pembroke would have minded. She had spent the last few months of her life propped up on pillows, telling Eleanor how to care for everything she would inherit from Mrs Pembroke’s will.
The weight of the key against Eleanor’s forearm felt like shackles. Mrs Pembroke never would have wanted Eleanor to creep around the house like a thief, just for something to read. The lady of the house had not wanted Eleanor to be a housemaid at all. Versailles, Verona, perhaps even the rainforest – these were all places Eleanor might have visited, if only Mrs Pembroke had lived. A lump crawled into Eleanor’s throat. Mrs Pembroke had been planning to take her on a tour of Europe when Eleanor was old enough to enter Society. Suddenly it seemed cruel to have so many travelogues spread out in front of her, when she’d once been so close to seeing the places all these men had written of.
Eleanor gave herself a little shake. She’d told herself not to get upset.
She lifted The Fairy Ring off the shelves and felt better the moment it was in her hand. Her own fingerprints from years ago marked the table of contents – smaller, of course, than they were now – the corner of the back cover was fraying slightly, from all the times she’d plucked at it as she read.
Settling into her favourite chair with that book in her hands, the lump in her throat melted away. At seventeen, she knew she ought to have grown out of such things, but it was difficult to set aside a world where trees grew delicate gold and silver branches and strange creatures lurked in cool, clear water. She lost herself on narrow paths twisting through dark woods, yearned to spin straw into gold, and envied the twelve brothers who had been changed into swans. It seemed like a fine thing to be a clean white bird that might fly anywhere it liked.
She put the book back when the clock struck midnight, making sure to replace it exactly where she found it. The chimes were quiet, but the sound dropped through to the pit of Eleanor’s stomach like a leaden weight. An old memory struggled to the surface of her thoughts – she was nine years old and curled into a ball, back pressed against the leg of an iron bed as a cheaper, harsher clock tolled midnight – but she shook it off. It wouldn’t do to think of her own mother now, she’d make herself upset again. Somewhere outside a hansom cab rattled over the cobblestones; she flinched, heart pounding, and almost knocked her candle over. Mr Pembroke was supposed to be dining at his club tonight. What if he’d changed his mind and come back early?
Eleanor listened at the door, forcing her nerves into submission. Nothing from downstairs. If she was quick, no one would even guess that she’d left her room. She crept back up the servants’ staircase and slipped into her little room, trying not to wilt at the sight of the bare boards, the skeletal iron bedframe, her useless scrap of curtain hanging limp over the window. She crawled into bed, ignoring the smell of mildew from the blankets and holding the memory of the fairy stories like hands cupped around a tiny flame. When she slept, she dreamed of vast wings carrying her away, and she could not tell if they were her own.
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ABOUT THE AUTHOR:
JJA Harwood is an author, editor and blogger. She grew up in Norfolk, read History at the University of Warwick and eventually found her way to London, which is still something of a shock for somebody used to so many fields.
When not writing, she can be found learning languages, cooking with more enthusiasm than skill, wandering off into clearly haunted houses and making friends with stray cats. THE SHADOW IN THE GLASS is her debut novel.