Published August 30th, 2022 by Tinder Press
Historical Fiction, Biographical Ficiton
Today I’m finally sharing my review for this magnificent novel. Thank you to Tinder Press and Netgalley for sending me an eBook ARC in exchange for my honest review.
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ABOUT THE BOOK:
Shortlisted for the Women’s Prize for Fiction 2023
A Reese’s Bookclub December Pick (2022)
An Instant Sunday Times, New York Times and Irish Times Bestseller (August 2022)
A Guardian and LitHub Book of the Year (December 2022)
‘Every bit as evocative and spellbinding as Hamnet. O’Farrell, thank God, just seems to be getting better and better’ i newspaper
‘Her narrative enchantment will wrest suspense and surprise out of a death foretold’ Financial Times
‘Ingenious, inventive, humane, wry, truthful . . . better than her last novel’ Scotsman
‘Finely written and vividly imagined’ Guardian
‘In O’Farrell’s hands, historical detail comes alive’ Spectator
Winter, 1561. Lucrezia, Duchess of Ferrara, is taken on an unexpected visit to a country villa by her husband, Alfonso. As they sit down to dinner it occurs to Lucrezia that Alfonso has a sinister purpose in bringing her here. He intends to kill her.
Lucrezia is sixteen years old, and has led a sheltered life locked away inside Florence’s grandest palazzo. Here, in this remote villa, she is entirely at the mercy of her increasingly erratic husband.
What is Lucrezia to do with this sudden knowledge? What chance does she have against Alfonso, ruler of a province, and a trained soldier? How can she ensure her survival.
The Marriage Portrait is an unforgettable reimagining of the life of a young woman whose proximity to power places her in mortal danger.
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MY REVIEW:
Italy, 1561. Lucrezia, Duchess of Ferrara, is unexpectedly taken to a remote country villa by her husband, Alfonso. As dinner is served Lucrezia begins to suspect that Alfonso has sinister intentions for bringing her here. She is sure he plans to kill her. Can this sheltered sixteen-year-old survive against her powerful, combat-trained husband?
Atmospheric, evocative, intriguing and beguiling, Maggie O’Farrell brings history to life with this mesmerising reimagining of the life of Lucrezia de’ Medici. The book opens with a historical note that Lucrezia died aged just sixteen of ‘putrid fever’, though there were rumours that her husband, Alfonso II de Este, Duke of Ferrara, had a hand in her death. The story then begins in 1561, at that meal in the remote fortress with her husband, then jumps back to her birth in 1544. It then moves between timelines, telling her story from childhood to adolescence and her ill-fated marriage to her untimely death.
Exquisitely written and meticulously researched, this is a glorious tapestry of a novel. O’Farrell transports her reader to sixteenth-century Italy, where we are immersed in all of its opulence, art, luxury, political tension, strict social codes and expectations for women. I lost myself in its pages, savouring O’Farrell’s luscious prose. But always in the back of my mind was Lucrezia’s impending death, adding to the tension and creating a sense of dread that lingered over every page. I knew her fate, yet I couldn’t help but hope that somehow there would be an escape, a different ending for her at the end of Ms. O’Farrell’s pen.
Lucrezia de’ Medici is a tragic heroine, brought to life once more from the archives of history for modern readers. Lucrezia may appear to have had a charmed life since birth, with her title and upbringing in a palazzo, but there was much hardship alongside the wealth and luxury. Her conception was considered unfortunate and she was such a difficult infant that her mother removed her from the nursery and sent her to be cared for by a maid in the kitchen. There, she was placed in a laundry tub and watched over by the young daughter of the kitchen maid, her only contact with her mother being reports sent back to her mother each day. As we follow Lucrezia through her childhood sheltered in the palazzo and into adolescence, we see beyond the tragedy and it was easy to develop a fondness for this artistic, feisty and spirited girl who has always been an outsider, even in her own home. For women of Lucrezia’s era and class, their destiny was set, and she was married to Alfonso at just fifteen. But instead of a new beginning, her marriage is the beginning of the end, turning into a dark fairytale that concludes with her death less than a year later.
Dark, alluring and suspenseful, this unforgettable novel is one that lingers long after reading. Highly recommended.
Rating: ✮✮✮✮.5
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ABOUT THE AUTHOR:
From Maggie’s Web Page: Maggie O’Farrell, Fellow of the Royal Society of Literature, is the author of HAMNET, Winner of the Women’s Prize for Fiction 2020, and the memoir I AM, I AM, I AM, both Sunday Times no. 1 bestsellers. Her novels include AFTER YOU’D GONE, MY LOVER’S LOVER, THE DISTANCE BETWEEN US, which won a Somerset Maugham Award, THE VANISHING ACT OF ESME LENNOX, THE HAND THAT FIRST HELD MINE, which won the 2010 Costa Novel Award, INSTRUCTIONS FOR A HEATWAVE and THIS MUST BE THE PLACE., and THE MARRIAGE PORTRAIT. She is also the author of two books for children, WHERE SNOW ANGELS GO and THE BOY WHO LOST HIS SPARK. She lives in Edinburgh.
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Thanks for reading, Bibliophiles xxxx
Emma's Biblio Treasures 