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Extract – A Death in Mayfair by Mark Ellis

2020-05-11-13-08-00

Published: November 21st, 2019
Publisher: Accent Press Ltd
Format: Paperback, Kindle, Audio
Genre: Historical Fiction, Mystery, Suspense, Thriller, Crime Fiction

Today I’m sharing an extract from the latest installment in the acclaimed DCI Frank Merlin series. Thank you to Amber at Midas PR for the invitation and extract.

 

1
CHAPTER 1
Friday December 5th 1941

London
It was an hour before dawn when the officers gathered at the street corner. Their target was ten doors down the terrace. Clouds of frozen breath trailed off into the darkness above them. Across the way a parked cart stank of the horse manure stored under its tarpaulin covers. A cat wailed in the distance.
They were seven. Merlin and his men, Johnson and Cole, and four uniformed constables from the local East End station. Merlin examined faces with his torch. Everyone was tensed for action. He raised his right hand. They all knew the drill and moved silently down the road towards the house.
The two stockiest constables carried a compact battering ram, a heavy iron tube with a large rounded end. They waited for a whispered ‘Yes’ from Merlin before smashing it into the front door. After four blows the policemen were able to clamber into the unlit hallway. There they were met by panicked screams, shouts, and the sound of frantic footsteps. In the midst of this came the unmistakeable noise of gunfire. One of the constables fell to the ground, and the other policemen took cover. More shots lit up the air but none hit home. When the firing stopped, Merlin’s torch picked out several shadowy figures racing up the stairs.
“Inspector Johnson, take Cole and one of the constables and follow. You two others search the ground floor. For Christ’s sake be careful. I’ll check on the lad here.” Merlin knelt down to the stricken constable who was conscious but clearly in pain.
“It’s my arm, sir.”
Merlin found the wound a couple of inches above the elbow. “It looks like it’s just a flesh wound, lad. I’ll tie something around it. We’ll call the medics as soon as we can.”
Merlin made a makeshift tourniquet with his handkerchief, squeezed the man’s hand then headed up the stairs. The first and second floors were clear. On the third and final floor the stairs opened onto a large space, unfurnished save for a heavy metal bedframe in the middle of the room. Two unhappy-looking men were standing handcuffed to the bed under the gaze of a constable.
“That was quick work, officer.”
“They tripped over each other, sir, and fell flat on their faces. We were right on them so it was easy, really. Two others got out onto the roof, though.” There was a noise from behind and Merlin turned to see Cole climbing out of a window with Johnson about to do the same.
Merlin followed his men out onto the roof and found them with his torch scrambling along the gables to his right. The street terrace was a long one with interconnected roofs. They were not steeply cambered but the surface was icy and treacherous. Gunshots suddenly rang out from somewhere and Merlin ducked and braced himself against the wall beneath the window. A bullet whizzed past his ear and thudded into the window
casement. He waited a moment then edged carefully along the brickwork. The moon came out from behind some clouds and he saw his men lying flat twenty yards ahead. There was another shot and, to his surprise, he saw one of his men rise and return fire. Someone screamed and a heavy clattering sound followed. Merlin’s heart was pounding as he skidded from his cover to a chimney pot ten yards further along. He shone his torch again and saw a man racing away in the distance with his officers in pursuit. A loud animal cry from below made Merlin jump; he went to the roof edge and pointed his torch down. A motionless body was spreadeagled in an alleyway and something was crawling over it. He had little religious belief these days but by reflex he made a sign of the cross. Then Johnson was shouting for him, and he turned and hurried on.
His men were on the roof of the furthest house, looking down. “It’s no good, sir” said Johnson. “He’s hopped it down the drainpipe. Cole here wanted to follow him down but I said it was too dangerous.”
“I’m sure I can manage it, sir. He looked like he was limping before he went down. If I go now, he won’t have got far.”
Merlin edged forward and saw the drainpipe. “Sorry, Constable. The Inspector is right. It’s not a risk worth taking. We’ve bagged two of them, at least. The other fellow you were chasing has had it. From your bullet or the fall I’m not sure. Where did you get the gun?”
“One of those two inside was carrying and I pocketed it” answered Johnson.
“Good thing you did, or one or both of you might have copped it. There’ll be some tedious questions to answer but you were clearly within your rights to fire.”

Mark Ellis - author photo

ABOUT THE AUTHOR:

Mark Ellis is a thriller writer from Swansea and a former barrister and entrepreneur.

He is the creator of DCI Frank Merlin, an Anglo-Spanish police detective operating in World War 2 London. His books treat the reader to a vivid portrait of London during the war skilfully blended with gripping plots, political intrigue and a charismatic protagonist.

Mark grew up under the shadow of his parents’ experience of the Second World War. His father served in the wartime navy and died a young man. His mother told him stories of watching the heavy bombardment of Swansea from the safe vantage point of a hill in Llanelli, and of attending tea dances in wartime London under the bombs and doodlebugs.

In consequence Mark has always been fascinated by WW2 and in particular the Home Front and the fact that while the nation was engaged in a heroic endeavour, crime flourished. Murder, robbery, theft and rape were rife and the Blitz provided scope for widespread looting.

This was an intriguing, harsh and cruel world. This is the world of DCI Frank Merlin.

Mark Ellis’ books regularly appear in the Kindle bestseller charts.

He is published by Headline Accent, an imprint of Headline.

He is a member of Crime Cymru, the Welsh crime writing collective, and of the Crime Writers Association (CWA).

His third book, Merlin at War, was on the CWA Historical Dagger Longlist in 2018.

The new Frank Merlin book, A Death In Mayfair, came out in November 2019.

CONNECT WITH THE AUTHOR:

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My Pear-Shaped Life by Carmel Harrington – Extract

Final Pear Shaped Life Cover

Published: April 16th 2020
Publisher: HarperCollinsUK
Format: Hardcover, Kindle
Genre: Humourous Fiction

Today I’m delighted to share an extract from this heartwarming and uplifting novel as part of the blog tour.. Thank you to Anne from Random Things Tours for the invitation to take part.

MY PEAR-SHAPED LIFE:

Chapter 1

Greta walked into the kitchen rubbing her eyes. She smiled her thanks to her mam, Emily, who placed a mug of dark brown tea in front of her. The Gales all drank their tea the same way – brewed or, as some might say, stewed.

‘Sleep OK?’ Emily asked.
‘Like a baby,’ Greta replied.
‘You didn’t take any more of those sleeping pills, did you?’ Emily’s forehead wrinkled in a frown.
‘Give over, Mam. I only take the odd one when my insomnia gets out of hand. I keep telling you that,’ Greta said. Her mother worried way too much. Greta had taken one the previous evening, as it happened, but there was no point worrying her mam admitting that. When it came to her parents, some things were better on a ‘need to know’ basis.
Greta opened her phone and flicked through Instagram.

‘Oh Mam look—’ Greta began, but was silenced with a shush and a wave at the TV screen. Mark Cagney, the main anchor of her mam’s favourite breakfast TV show Ireland:AM was speaking. Emily always denied that she had a crush on him, but when he spoke her face softened, and she hung on his every word.

Only when Mark had finished talking did Emily answer, ‘What’s that love?’

Greta pointed to a photograph of Dr Greta Gale, her famous namesake.

In the photo, Dr Gale was sitting on a red-brick wall, with the backdrop of a green ocean behind her, smiling to the camera. ‘Doesn’t she look beautiful?’

‘How does she get her hair to look like that?’ Emily asked, smoothing down her own shoulder-length bob. ‘Maybe I should grow mine out a bit.’

‘She probably has a glam squad at her disposal twenty- four/seven,’ Greta replied. ‘What do you think she means by being the same personally as well as privately and publicly?’

Drgretagale Be the same person privately, publicly and – most importantly – personally. Can I get a hell yeah? #inspirationalquotes #drgretagale #inspire #mindfulness #strong #whatsinyourcupboard

Emily put her glasses on to read the post beneath the photograph. ‘I don’t know. Half the stuff she posts is a load of mumbo jumbo if you ask me.’

‘Mam!’ Greta loved Dr Gale and wouldn’t have a word said against her. And that wasn’t just because they shared the same name – although that was part of it. It was more because Dr Gale epitomized everything that Greta wished she could be herself. Dr Gale was successful, beautiful and loved. She was living her best life. She represented hope for Greta. Maybe one day she too could have everything that Dr Gale had. There wasn’t a single post that Greta had not read. And with each new double tap of love, she felt her connection to her grow stronger.

Greta would lie in bed, late at night, knowing she should be at least making an attempt to sleep, but somehow unable to take her eyes off Dr Gale’s Instafeed. She would lose hours googling books, food, art and restaurants that Dr Gale tagged in a photo. She followed accounts that Dr Gale followed. Last year she bought a green kaftan similar to the one that Dr Gale wore to a beach party, but that had not ended well. On Dr Gale the kaftan looked very boho chic. On Greta it looked as if she’d eaten all the pies.

More than how Dr Gale looked, lately her Instagram posts felt as if they were speaking directly to Greta. Every word seemed like a secret message just for her, as if Dr Gale had looked into Greta’s mind and knew exactly what to say to help her, support her, advise her.

Carmel Author Pic

ABOUT THE AUTHOR:

Carmel Harrington is an internationally published novelist from Co. Wexford, where she lives with her family. She has been shortlisted twice (2016 & 2017) for an Irish Book Award and won both the Romantic eBook of The Year and Kindle Book of The Year in 2013. Her books, all regular chart-toppers, have captured the hearts of readers worldwide and are translated into eight languages to date, sold into eleven territories. My Pear-Shaped Life (Harper Collins) will be published in April 2020. Other books include the number one Amazon and Irish Times bestseller A Thousand Roads Home  (Harper Collins), the official ITV novel Cold Feet The Lost Years (Hodder & Stoughton) and The Woman at 72 Derry Lane (Harper Collins). She is a co-founder of The Inspiration Project, a coaching writing retreat and was Chair of Wexford Literary Festival from 2015 – 2018.  Carmel is represented by Rowan Lawton of the Soho Agency.

Her other bestsellers include The Things I Should Have Told YouEvery Time A Bell RingsThe Life You Left and Beyond Grace’s Rainbow.

CONNECT WITH THE AUTHOR:

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BUY THE BOOK:

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She Came To Stay by Eleni Kyriacou -Extract

champagne this one-1

Published: March 5th, 2020
Publisher: Hodder & Stoughton
Format: Hardcover, Kindle, Audiobook
Genre: Historical Fiction

Today I’m thrilled to be sharing an extract from a exciting new author and her historical fiction debut.

SYNOPSIS:

London, 1952…

Dina Demetriou has travelled from Cyprus for a better life. She’s certain that excitement and adventure are out there, waiting – if only she knew where to look. At the seedy Pelican Revue bar, she meets stylish, mysterious Bebba and the two become firm friends. With her bleached-blonde hair and an appetite for mischief, Bebba is like no Greek Dina has ever met before and the two women take on Soho. But Bebba has a secret. And as thick smog brings the city to a standstill, the truth emerges with devastating results.

EXTRACT:

After bolting the door behind her, Bebba slipped out of her pointed-toe shoes and placed them neatly against the wall. Then she walked to the battered wardrobe, put her finger under the metal filigree handle and pulled. There it was. She leaned over the grey suitcase and let her fingertips stroke the sturdy, hard shell. Suddenly she was aware of a gnawing sensation in her stomach. Maybe she should eat? But she looked at the loaf of bread on the counter and couldn’t bring herself to start cutting and toasting now. And anyway, the baklava and kaffe had left her jittery and a little nauseous.

Grabbing the crocheted blanket, she lay down and wrapped herself tight in its multi-coloured squares. God, being Bebba exhausted her; all that perkiness, all that sparkle. She could never go back, she knew that. As sleep pulled her in tightly, she heard a soft, long wheeze. She sat up with a start. The wardrobe door had swung open and there sat the suitcase, watchful. She slid back down.

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ABOUT THE AUTHOR:

Eleni Kyriacou is an award-winning editor and journalist. She has worked in various roles across publishing and her writing has appeared in the Guardian, the ObserverMarie ClaireGraziaYou, Stella and Red, among others. Eleni was the Editor of national magazines New Woman and Looks and has also worked in digital media.

The daughter of Greek Cypriot immigrant parents, Eleni has never felt completely British nor Cypriot, but has always felt a Londoner. She was born and grew up in Camden, then Elephant & Castle, Finsbury Park, Tottenham and now lives in Ealing. She has lived north, south and west. East London is another country to her. Every year, she has long conversations with friends and family about leaving London but probably never will.

Eleni is now freelance so knows where all the plug points are in London cafés. She Came to Stay is her first novel.

CONNECT WITH THE AUTHOR:

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Twitter, Instagram and Facebook: @elenikwriter

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Extract – Mix Tape by Jane Sanderson

Today I’m delighted to be sharing an extract from Mix Tape as part of the blog tour, which is one of my #EmmasAnticipatedReads for January 2020.

Thank you to Anne at Random Things Tours for the invitation to take part and to Jane Sanderson and Bantam Press for providing the extract.

MixTape3Published: January 23rd, 2020
Publisher: Bantam Press.
Format: Hardcover, Kindle.
Genre: Romance, Contemporary.

SYNOPSIS:

You never forget the one that got away. But what if ‘what could have been’ is yet to come?

Daniel was the first boy to make Alison a mix tape.

But that was years ago and Ali hasn’t thought about him in a very long time. Even if she had, she might not have called him ‘the one that got away’; after all, she’d been the one to run.

Then Dan’s name pops up on her phone, with a link to a song from their shared past.

For two blissful minutes, Alison is no longer an adult in Adelaide with temperamental daughters; she is sixteen in Sheffield, dancing in her skin-tight jeans. She cannot help but respond in kind.

And so begins a new mix tape.

Ali and Dan exchange songs – some new, some old – across oceans and time zones, across a lifetime of different experiences, until one of them breaks the rules and sends a message that will change everything…

Mix Tape Cover

EXTRACT:

Sheffield,
23 December 1978

There they go, at the beginning of it all, their younger selves, walking through the dark, winter streets of Sheffield: Daniel Lawrence and Alison Connor. He’s eighteen, she’s sixteen, it’s Saturday night and they’re heading together to Kev Carter’s Christmas party, and nothing much has been said since he met her from the bus, but each is achingly conscious of the other. Her hand in his feels too good to be only a hand, and his presence, by her side, makes her mouth feel dry, and her heart beat too quickly, too close to the skin. They walk in step with each other along the pavement, and there isn’t far to go from the bus stop to Kev’s house, so it’s not long before a throb of music fills the silence between them, and he glances down, just as she looks up, and they smile, and he feels that pulse of pure longing he gets when Alison’s eyes alight upon him, and she  . . . well, she can’t think when she’s ever felt this happy. 

Kev’s front door was wide open to the night, and light and music spilled out on to the weeds and cracked flags of the garden path. Kev was Daniel’s friend, not Alison’s – they were at different schools – and she hung back a little as he walked in, so that Daniel seemed to be pulling her into the room after him. She enjoyed that feeling, of being led into the room by this boy, so that everyone could see she was his, he was hers. There was Blondie on the tape deck, ‘Picture This’, playing too loud so that the bass distorted, vibrated. Alison liked this one, wanted to shed her coat, get a drink, have a dance. But then almost at once Daniel let go of her hand to hail Kev across the room, shouting over the music, laughing at something that Kev shouted back. He nodded and said, ‘All right?’ to Rob Marsden, and nodded and smiled at Tracey Clarke, who grinned back knowingly. She was leaning on the wall, on her own, by the kitchen door, as if she was waiting for a bus. Fag in one hand, a can of Strongbow in the other, dirty blonde hair with Farrah Fawcett flicks, plum lipstick, and kohl-lined eyes that cut a cool, considering gaze at Alison. Tracey took a long drag on her cigarette and sent the smoke out sideways.

‘You going out wi’ him?’ she said, tossing her head in Daniel’s direction. Tracey, older and wiser, no longer a virgin schoolgirl, money in her purse and a boyfriend with a car. Alison didn’t know this girl and she blushed – couldn’t help herself – and said yes, she was. Daniel was just out of reach now, so Alison just stared hard at the back of his dark head and willed him to turn around. Tracey raised one eyebrow and smirked. Smoke hung in the air between them. Alison’s shoes were killing her.

‘You want to watch him,’ Tracey said. ‘He’s in demand.’ There was a beat of silence when Alison didn’t reply, then Tracey shrugged and said, ‘Drinks in there.’

She meant the kitchen behind her, and through the open door ahead Alison saw a great crush of people around a green Formica table, and a mess of bottles and crisps and plastic cups. She slid away from the vaguely malevolent attentions of Tracey and pushed her way in, thinking Daniel could’ve got her a drink. Should’ve got her a drink. But, look, he’d been commandeered by all these people that he knew, and she didn’t. Now Jilted John was on the mix tape, so suddenly people were singing but nobody was dancing, and behind Alison there were even more people pressing into the tiny room. She didn’t recognise a soul, although there must be somebody she knew here, because the place was packed out. She edged through to the table of booze, aware of a strong smell of cigarettes and cider, and, suddenly, Old Spice.
‘All right, Alison?’
She looked round and saw Stu Watson, all cockiness and swagger in his denim jacket with an upturned collar and Joe Strummer’s scowling face on his T-shirt. Pound to a penny he couldn’t name a single song by The Clash, but anyway she was glad to see a familiar face. Stu’s quick, narrow eyes swept over her with bold appreciation.
‘You look all right, anyway,’ he said.
‘Right, well, you look pissed, Stu.’
‘Just got here?’
‘Obviously,’ she said, pointing at her coat. ‘But you’ve been here a while by the look of you.’
‘Early bird, me,’ Stu said. ‘What you drinking?’
‘Nothing yet. Martini, I suppose.’
Stu grimaced. ‘How can you drink that shit? It tastes like fucking medicine.’

Alison ignored him. She was too hot but she didn’t know what to do with her coat in this unfamiliar house, so she let it drop a little way down her back and Stu’s eyes wandered down to the newly exposed skin of her neck and throat. Alison looked behind her for Daniel and she could see him, still in the living room, not looking for her, but talking to another girl. Mandy Phillips. Alison knew her from the school bus. Tiny like a child, henna curls, pixie nose, tipping her face up towards Daniel’s and all bathed in light by his attention. His arms were folded and there was a space between him and Mandy, but from what Alison could see, his eyes were all over her. As Alison watched them, Mandy reached up and pulled Daniel by the shoulder towards her, cupped her sweet hand, said something into his ear. Daniel gave her his trademark smile: hesitant, a half-smile really. His hair was dark and longish, falling into his eyes, and Alison wanted to touch it.

Stu was looking in the same direction. ‘I’m Mandy, fly me,’ he said. ‘Fuck me, more like.’
‘Oh, piss off, Stu,’ Alison said. She spun away from him and lifted a bottle of Martini Rosso from the table, sloshed a generous measure into a cup and took a deep drink. He was right, it was kind of disgusting, bitter, but also very familiar, so she took another swig, then wiped her mouth with the back of her hand, ditched the cup on the table and took her coat off, slinging it on to a chair. She was wearing Wranglers that she’d worn in a hot bath to shrink them down to a second skin, and a new shirt that looked good, looked bloody great; she should know, she’d spent long enough staring at herself in the bedroom mirror. It was white, looked and felt like slippery satin, and she’d opened one more button since leaving home. Stu couldn’t take his eyes off her but she didn’t even glance at him as she took back the Martini, had another swig and edged her way through the bodies, out of the kitchen.

Alison was talking to Stu Watson, a fucking wily ferret, a creep with hungry eyes, arms like wandering tentacles. Daniel could see them both in the kitchen, and he was stuck here with Mandy Phillips, whose own manipulative eyes were filling with tears as she told him Kev Carter had finished with her, tonight, at his own party, the bastard. This was what happened to Daniel.
Girls cleaved to him and spilled their souls. He didn’t have to encourage them; they just sensed something about him, even he didn’t know what it was, and they talked and talked. Only . . . Alison Connor didn’t. He’d asked her to go out with him and she’d said yes, but in the day or two since then she’d hardly spoken to him in the brief times they’d been together, and yet he wanted her by his side, knew it was right, knew there was something about her. But she’d already said more in the kitchen to Stu sodding Watson than she ever had to him. Meanwhile Mandy was on the second telling of the same sad story and he knew it was all leading to a come-on, a why-not, a kiss and a promise. Kev was busy clowning around, catching his eye, giving him the thumbs up, as if Daniel might need his cast-offs. Life was just a big game to Kev Carter; of course he’d dumped Mandy tonight  – he liked a bit of drama, and where was the fun in knowing whose knickers you’d be getting into later?

Now ‘Night Fever’ was blasting out through the speakers and Mandy was starting to move her shoulders in time to the music. There was a line of girls in the middle of the room working their Travolta moves, a line of boys watching them and arsing around, trying to copy. Mandy tugged on Daniel’s shoulder and he leaned into her so she could cup a small hand round his ear.

‘Do you wanna dance?’ she whispered, her breath warm.
He didn’t hear, pulled back and smiled at her. ‘What?’ he said.
‘Do you wanna . . . ?’ She paused and smiled. ‘Y’know . . . dance?’
She cocked her head and said ‘dance’ in a way that suggested much, much more. No tears now. Kev was ancient history.
‘No,’ Daniel said, and stepped back. He looked towards the kitchen for Alison, but he couldn’t see her now, or Stu. He should’ve stayed with her, taken her coat, fetched her a drink, and he cursed himself for being drawn into Mandy’s crisis.
‘What?’ Mandy said, loud enough now to be heard over the music without breathing in his ear.
Daniel was distracted by Alison’s absence and he cast his eyes round the room, but at the same time he said, ‘No, Mandy, course I don’t want to bloody dance with you.’ He was panicking, wondering if Alison was even still here, at the party. She might have bolted. He wished he knew her better, knew how her mind worked.

‘You’re a bastard, Daniel Lawrence,’ Mandy shouted, and she slapped him across the cheek, ineffectually because she was drunk, but still, her nails grazed his skin.
‘Fuck’s sake, Mandy,’ he said, looking down at her in disbelief.
She burst into easy, meaningless tears and turned away, looking for another shoulder, and Daniel touched his cheek where it stung. Christ Almighty. And he hadn’t even had a beer yet. Some fucking party. He moved towards the kitchen and, as he did, the Bee Gees came to a brutal halt because Kev ripped the tape out of the deck and put another one in, so suddenly the room filled with the insistent drum and bass opening of ‘Pump It Up’, and Daniel was rooted to the floor, waiting reverentially for Elvis Costello’s voice to weave its way into his head.

And oh God, Alison, there she was. She was dancing, alone, in the crowd. She’d kicked off her shoes so she was barefoot, and she was dancing with her eyes closed, and she didn’t move her feet at all, although the rest of her body was caught up in the music, and her arms made wild, wonderful shapes above her head. She danced like nobody else. She danced in a way that the others tried to copy, but each time they almost got it she changed, shifted, did something different, but her feet didn’t leave the floor. Daniel watched her, completely transfixed. He’d never seen anything so beautiful, so uninhibited, so fucking sexy, in all his life.

Jane Sanderson Author
ABOUT THE AUTHOR:

Jane Sanderson is a writer and journalist. She has worked as a producer for BBC Radio 4, first on the World at One, and then on Woman’s Hour. She lives with her husband and children in rural Herefordshire.

Jane has poured much of her own story into this book; from the boyfriend who gifted her a mix tape introducing her to the likes of Van Morrison, to the carefully curated playlist (featured in the book) which includes songs that have helped to shape her life and pay homage to her own youth.

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