Published April 9th, 2026 by Fourth Estate
Historical Fiction, Satire, Suspense, Thriller, Psychological Fiction, Speculative Fiction
*I listened to this on Bookbeat. Click here to listen free for 45 days*
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ABOUT THE BOOK:
‘My name is Natalie Heller Mills, and I was perfect at being alive…’
Natalie lives a traditional lifestyle – and her followers are sick with envy. Her charming farmhouse on her working ranch is artfully cluttered, her husband is a handsome cowboy, her homemade sourdough boules are each more beautiful than the last. So what if there are nannies and producers and industrial-grade ovens behind the scenes? What her followers don’t know won’t hurt them.
Then, one morning, Natalie wakes up in a strange, horrible version of reality. Her home, her husband, her children―they’re all familiar, but something’s off. Is this a hoax? A reality show? A test from God? Natalie knows just two things for sure: this isn’t her perfect life, and she must escape, by any means possible.
As darkly funny as it is shocking and gripping, Yesteryear is an electrifying examination of tradition, fame, faith and the grand performance of womanhood, from a thrilling new talent in fiction.
NOW BEING ADAPTED INTO A MAJOR FILM STARRING ANNE HATHAWAY
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MY REVIEW:
Natalie Heller Mills is perfect at being alive. A flawless Christian woman, she is the wife men dream of, the mum every woman wants to be. She lives with her husband Caleb and their soon-to-be six children on a working ranch where every inch of their life and home is perfectly staged. No-one sees the nannies and producers behind the scenes. And they never will. Then one morning Natalie wakes up and doesn’t recognise her reality. This is her ranch but it’s dirty, the man looks like her husband but doesn’t act like him, and she doesn’t recognise the children who call her ‘Mama’. Natalie wonders if this is a test from God or maybe she’s on a reality show. But whatever the reason she’s here, she knows she must escape and get back to her perfect life.
This book is everywhere. I couldn’t wait to read it and listened to the audiobook as soon as it was released. But since then I’ve struggled to write my review. I think that’s partly because this book wasn’t what I expected. The marketing focuses on the historical side but a lot of the story is contemporary. And I found my attention wavering half way through the second timeline until the big twist brought things back around. But there was also a lot I loved. Dark, bold, original, perceptive and unsettling, it’s a timely and thought-provoking read and one hell of a wild ride.
Well written, cleverly crafted, acutely observed and interwoven with humour, Caro Claire Burke delivers an unforgettable debut. Caro explores some important and relevant themes, including feminism, religion, misogyny, motherhood, marriage, mental health and sexuality. She also explores social media, influencers and trad wife culture, showing the reality of these people’s lives versus the polished version they present to the world. In the 1850s timeline Caro showcased how different the life these modern women glamorise would really look as Natalie is forced to live the harsh reality. And it’s nothing like she thought it would be. This timeline also shows us that the modern trad-wives have autonomy and choices that the women of the past didn’t have, reminding us why it’s so dangerous to promote a return to these times and to strip women of their autonomy in so many areas of life. It’s an uncomfortable read at times, but it is a necessary discomfort that helps the reader really understand what the author is trying to convey.
Natalie is a great protagonist, but not because she’s likeable. Quite the opposite. She’s totally insufferable, bitchy and mean to the people around her. Caro has written her so well and I loved reading her. But I was also rooting for her to be brought down a peg or two. Though I will admit part of me also felt sorry for her. She’s so caught up in the trap of being a perfect trad-wife and portraying a perfect life for her followers that image matters more than anything to her. Even her own happiness or that of her children. To her, the worst thing would be for her followers to find out she has nannies, hear the way she really talks to people or what she actually thinks. So when she woke up in the 1850s I was thrilled and hoped she would finally be humbled.
One of the things I loved about this book was how it was so unpredictable. I had a number of predictions about how and why Natalie was in the 1850s but I could never be sure if any of them were right or guess what direction the story would take next. And that ending! It was so unexpected, powerful and moving. Even a month later I’m still thinking about it.
Rating: ✮✮✮✮✰
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ABOUT THE AUTHOR:
Caro Claire Burke received her Master’s in Fine Arts from the Bennington Writing Seminars. She is the co-host of Diabolical Lies, a politics and culture podcast. Yesteryear is her first novel.
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Thanks for reading, Bibliophiles xxxxx
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