
Today I’m sharing with you an extract from A Summer at the Castle, the latest book by Kate Lord Brown.
Thank you to Kate for the invitation to take part and providing the extract.
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I’ve wanted to write a book set in the south west of Ireland since visiting Kenmare and
Dingle twenty years ago. It’s breathtakingly beautiful, and I’ve never forgotten staying
at Dromquinna, where Diana’s fictional castle is set. Here we meet her for the first
time, and get a glimpse of her home, inspired by the real life magical location ā¦
Kenmare
Diana Hughes strode across the gravel driveway of Castle Dromquinna, leading a scrawny black goat with amber eyes with her good arm. The hem of her orange kaftan rode up over Dianaās strong, tanned legs as the goat struggled. She tightened her grip on the cerise pashmina she had tied around its neck. āNo you donāt, my friend. Letās get you safely back in the field.ā She dragged the goat onwards, and looked up at the stone crest above the porchway carved with DH, her silver-grey hair blowing in the breeze. Storm clouds scudded across the sky, blocking the sun. Rain, she thought, longing blooming in her chest for golden, sunlit days in Italy. She was counting down the days to her annual holiday.
āLet me take āim Mrs Hughes,ā the gardener said, setting down his wheelbarrow. āRight handful this one is.ā
āThat would be grand, thank you SeĆ”n. Check Mephistophelesā fence again, would you please?ā The gardener scooped the goat up into his arms, and Diana untied her scarf from its neck. āYouāre a rascal, so you are,ā she said, scratching the goatās bony head, its ears quivering in pleasure. She adjusted the sling at the back of her neck, her eyes narrowing.
āYouāve not been swimming, Mrs Hughes? Not with your arm?ā
āJust a paddle with this ruddy thing,ā she said, raising her arm in its plaster cast. āI havenāt missed a day since 1988 and Iām not going to start now. The water is gorgeous at this time of the year. Bracing.ā She picked a piece of reed from the goatās back. āI found you down by the bay, didnāt I?ā
On the porch she stamped her feet, and swung open the heavy mahogany door to the reception area. At once the familiar smells of the Castle embraced her: the open fire, beeswax polish, the rich incense perfume of the stargazer lilies on the circular table at the heart of the flagstoned hall. āIs Darcy here yet?ā she asked the girl behind the desk, pulling off her wellies, and tucking them behind a door marked āprivateā. A white cat with aquamarine eyes jumped down from the red velvet armchair by the fire and wound its way around her bare feet. āHello Kato, have you had your breakfast?ā She slipped on a battered pair of black espadrilles and walked on.
āConorās in the kitchen with your daughter,ā the girl said. āMrs Hughes, someone wasāā
āNot now.ā Diana strode through the hall, stopping to adjust a skew-whiff painting of Kenmare Bay. She knew every inch of the Castle intimately, had chosen every lamp, every rug, every picture herself. The restaurant, and the few discreet rooms above for guests who wished to stay over before driving back to Dublin and beyond, still had the air of a private house. It was classic, artfully shabby. The antiques suited the eighteenth-century architecture and anything newer she had aged. From the derelict bones of an old peopleās home awash with avocado bathrooms and safety handles, Dianaās creation had risen like a pop-up page in a glossy magazine. She had added to it over the years, replacing make-do with make-a-statement pieces bought at country house auctions to complement those her husband had collected. At the thought of Kavanagh, she smiled, and paused to look out across the formal garden, the gravel pathways flanked with topiary leading to the walled kitchen garden with its neat brick pathways and raised beds of herbs. Weāre a good team, thatās what Kavanagh always used to say. Youāve got the taste and beauty, Di, Iāve got the balls and cheque book. A peacock cried out, stalking across the lawns. Diana brushed a tiny strand of cobweb from the grey-painted moulding of the window frame, blowing it free from her fingertip. She made a mental note to tell the housekeeper to brush down the hand-painted wallpaper, its vines snaking up to the ceiling. You have an eye, my girl, she thought, imagining her husbandās deep voice. You have an eye, for sure.
I feel old, she thought, walking on through the Castle. Her broken arm ached, and her ribs were still mending, bruised from the fall. What would you make of me now, Kavanagh? Whereās the girl you fell in love with in Porto Ercole? She thought of the rugged Tuscan coast, the deep green and peace of the vineyards and olive groves rolling down to the shimmering sea, of her simple whitewashed cottage in the hills. Iāll take a holiday, after this. Her expression softened and her eyes took on a faraway look. Italy was hers alone ā there were no demanding customers, no arguing staff to discipline, no TV cameras, no calls from the accountant, no letters from the bank. Perhaps I shall treat myself, book into Il Pellicano for a few days before opening up the cottage. She thought of the hotelās sunbathing terrace overlooking the endless blue sea, imagined the warmth of the sun easing her bones, the glittering light through her closed eyelids. But thereās work to be done first. Diana took a deep breath, and winced. God, I hope Iāve done the right thing asking Darcy to come home. She pushed open a baize-lined door marked āPrivateā and strode along the flagstone corridor leading to the family kitchen in the old tower. She could hear laughter up ahead, the deep roll of Conorās voice telling a story.
āYou didnāt?ā Darcyās voice, her soft Irish accent melded with west coast American.
āThere you are,ā Diana said, pausing in the doorway. Her daughter stood beside the scrubbed pine table at the heart of the yellow kitchen. The flagstone floor was covered with worn Persian carpets, and faded Liberty print cushions littered the old blue sofa by the stove. The white-painted cabinets and dresser were battered rather than distressed, and littered with pots of utensils. It was a working, homely place, and Dianaās favourite room in the whole Castle. An oil painting of Diana in her prime, her arms full of fresh produce from the kitchen garden, dominated the room, gazing down from the wall between the two floor-to-ceiling sash windows. Darcy stepped towards her mother, her eyes betraying her nerves and joy. Diana tucked a strand of glossy dark hair behind Darcyās ear, cupped her cheek in her thin, dry hand. āItās good to see you.ā Darcy hugged her mother carefully. āThere, now,ā Diana said, closing her eyes, breathing in the warm vanilla scent of her daughter. She pressed her lips to the top of Darcyās head.
āI was worried about you,ā Darcy said, her voice muffled.
āItāll take more than a few broken bones to finish me off,ā Diana said, straightening up as they stepped apart. āYou do look well. Youāve cut your hair since I saw you last.ā You have the look of your father, she thought, his dark beauty.
āItās easier in the kitchen. Howās the arm?ā Darcy said.
āAnd the ribs,ā Conor said.
āI could scream, itās so frustrating.ā Diana walked to the stove, holding her side. āCanāt swim, canāt cook. Shall we make a pot?ā She fumbled with the tea caddy.
āHere, let me. Sit down, woman,ā Conor said, pulling out a wheelback kitchen chair for her. He filled the kettle, and set it on the stove. āHonestly, would it kill you to ask for help?ā
āYes, probably. You know me,ā Diana said, wincing as she sat down.
āI was so glad that you called me,ā Darcy said, sitting opposite her.
āI didnāt want to bother you.ā Diana gestured at Conor, who was sorting through the morning papers. āHe said it was time for the next generation to take over on the show.ā
āYoung blood.ā Conor fished out the Irish Times and took down a pair of tortoiseshell glasses from his hair to read the front page. āPeople have had enough of looking at our faces.ā
āWeāve always assumed youād take over running the Castle when I retireāā Diana said.
āBut youāre not retiring yet, are you?ā Darcy said.
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SYNOPSIS:
Scandal, secrets and strawberries.
A recipe for disaster…
Every summer, Diana Hughes organises a famous baking competition at her beautiful castle in the south west of Ireland, to raise funds for its upkeep. But this year, amongst the bunting and scrumptious cakes, everything is turning out a little differently than planned!
First, her daughter Darcy arrives on the doorstep unexpectedly, after running away to the sunny hills of California with a broken heart a year ago. Then a mysterious stranger tries to sabotage the competition. Diana and Darcy soon find out that the past is quickly catching up with them – and it’s about to turn their lives upside down!…
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MEET THE AUTHOR:

Kate was a finalist in ITV’s The People’s Author contest, and her novel ‘The Perfume Garden’, which has been published in nine languages, was shortlisted for the Romantic Novel of the Year 2014. She was regional winner of the BBC International Radio Playwriting competition this year, and she holds an MA in Creative Writing. Her books have been top ten bestsellers in the UK, Canada, and several European countries. In 2020 she was highly commended in the RNA Elizabeth Goudge Trophy.
Kate has also written editorial, reviews and regular columns for Traveller, Conde Nast, Good Housekeeping, Blueprint, The Bookseller, Bookbag, Writers’ News, Arts Business, Gulf Times, Woman, Oryx, the Daily Telegraph, Sunday Express and others. She wrote the first book club column in the Middle East for two years, introducing a host of writers to the region through the pages of Ahlan! After many years living overseas, she has returned to the wild and beautiful south west of England, where she grew up. Kate has two books out in 2021, ‘A Season of Secrets‘ and ‘A Summer at the Castle‘ with Orion, and ‘Die Schritte zu deinem Herzen‘ (Silent Music) was published by Piper Dec 2020. Kate is working on her next novels.
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Please check out the reviews from the other bloggers taking part in the tour.
Thanks for reading Bibliophilesš Emma xxx