Published February 20th, 2025 by Sphere
Historical Fiction, Psychological Fiction
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ABOUT THE BOOK:
‘Spellbinding’ SUSAN STOKES-CHAPMAN
‘Enthralling’ HESTER MUSSON
‘Astonishingly accomplished’ CARI THOMAS
‘Beautifully woven’ HARRIET CONSTABLE
‘Exquisite’ ANNA MAZZOLA
‘Expertly plotted’ JOANNE BURN
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Paris, 1789. The Oberst Factory, which crafts exquisite wallpaper for the most fashionable French homes, is a place shrouded in mystery. Most enigmatic is the woman pictured in each of its prints, rumoured to be the late Mrs Oberst, who died in peculiar circumstances.
When sisters Lara and Sofi arrive there for work, they quickly form a friendship with Josef Oberst, the motherless heir to the factory. Whilst Sofi’s political fervour intensifies, Lara is disturbed by the uncanny way her life appears mirrored in the wallpaper. Meanwhile Hortense, Josef’s spoilt aristocratic wife, is similarly unnerved by the scenes that line the walls of her new home. With the mobs growing ever more violent, is she in danger of meeting the same untimely end as the last Mrs Oberst?
As revolution blazes across France, the lives of Sofi, Lara and Hortense are set to collide in unimaginable and irrevocable ways. Can they change what lies ahead, or are some patterns destined to be repeated?
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MY REVIEW:
Eerie, unnerving, mysterious and spellbinding, The Woman in the Wallpaper is a haunting debut steeped in gothic allure that transports us to eighteenth century France and the French Revolution.
After the death of their father, sisters Sofi and Lara arrive at The Oberst Factory in Paris, which crafts exquisite and particular toile de Jouy wallpaper for the country’s most fashionable and elite homes. But the factory is a place that has been shrouded in mystery ever since the death of Madame Oberst in strange circumstances five years earlier. There are whispers she haunts the grounds and that it is her image that is featured on all of the factory’s prints. The sisters soon form a friendship with Josef Oberst, a motherless loner who is heir to the factory.
Meanwhile, Hortense, a spoiled aristocrat’s daughter who lives in the palace of Versailles, is forced into an arranged marriage with Josef and sent to live in the family’s mansion by the factory. Lara is set to work as her lady’s maid and is shocked to find that her new bedchamber is covered in violet wallpaper patterned with vignetted scenes from a woman’s life. Unnervingly, the woman looks exactly like her and scenes from her own life are mirrored on the paper.
As the worker’s grievances increase, the mob becomes more violent, political unrest takes a greater hold, and revolution rages throughout France, the lives of the three women are set to collide in unthinkable ways and with deadly and explosive consequences.
A gorgeous tapestry of a novel that is rich in sumptuous historical detail, Lora Jones had me in her thrall from the first page to the very last. Expertly choreographed and beautifully interwoven, Jone’s beautiful prose tells this an intoxicating story of love, loss, mystery, hostility and conviction, all set against the volatile backdrop of the French revolution. Her meticulous research is evident on every page and I loved learning the intricacies of working in a wallpaper factory, the contrast between the lives of the workers and aristocracy, and more about the revolution, which is all brought to life in full, terrible detail thanks to Jones’ spectacular and vivid imagery. The story is atmospheric, forbidding and has hints of the supernatural from the start. But soon terror began to bleed into the pages, the words gleamed with a chilling malice and shivers ran down my spine.
All of the characters in this story, whether they are the narrators or background characters, are richly drawn and compelling. The three women who narrate the story – Sofi, Lara and Hortense – are very different people with their own interests and concerns. But as life at the factory, and in all of France, becomes more dangerous, they find that their fates are interwoven in unexpected ways. I enjoyed reaching each of their narratives but admit that it was Lara I found most enthralling. I was mesmerised by her story; the idea of seeing yourself and your life depicted in the wallpaper that is pasted in a place you’ve never been before and fear consuming you as you feel sure someone is watching you and you think you see the woman in the wallpaper move. It was so haunting that even eight months after reading it the memory still gives me chills. And I must mention Hortense, who was a wonderful villain filled with arrogance and snobbiness. She was fun to read and I loved to hate her, but I admit that I did feel some sympathy as time went on.
A magnificent and unsettling gothic mystery, I highly recommend this haunting debut.
Rating: ✮✮✮✮✮
Thank you Sphere for sending me a copy of the book in exchange for my honest review.
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ABOUT THE AUTHOR:
After studying English Literature at the University of Durham, Lora began her career working in the TV industry in London, reading scripts for ITV’s Drama Department, and writing factual programme content and comedy material for the BBC, Channel 4 and others. She also spent over a decade assisting professional TV and stage magicians, and gathering up their secrets.
Lora now lives amongst the rugged hills of North Wales where she is currently rewilding an 18th century sheep farm. In her spare time she paints wildlife and sells her work in aid of wildlife conservation charities.
Passionate about creating and writing original stories, The Woman in the Wallpaper is Lora’s first novel. She is also the co-creator/host of The Magician’s Wife podcast.
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Thanks for reading, Bibliophiles xxxx
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