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SQUADPOD FEATURED BOOK: The Long Water by Stef Penney

Published July 4th, 2024 by Quercus
Mystery, Thriller, Suspense, Crime Ficiton

Welcome to my review for this darkly atmoshperic, cryptic and compelling story. Thank you to Quercus for sending me a proof copy in exchange for my honest review.

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ABOUT THE BOOK:

Author of the Costa-prizewinning, world-wide bestseller The Tenderness of Wolves, Stef Penney, returns to her snow-covered heartland in this tense mystery set in a small Scandinavian town.

Nordland. A region in the Norwegian Arctic; a remote valley that stretches from the sea up to the mountains and glaciers.

It is May in what was once a prosperous mining community. The snows are nearly gone and it’s a time of spring and school-leavers’ celebrations – until Daniel, a popular teenage boy, goes missing. Conflicting stories circulate among his friends, of parties and wild behaviour.

As the search for Daniel widens, the police open a disused mine in the mountains. They find human remains, but this body has been there for decades, its identity a mystery.

Everyone in this tight knit, isolated community is touched by these events: misanthropic Svea, whose long life in the area stretches back to the heyday of the mines, and beyond. She has cut all ties with her family, except for her granddaughter, Elin, an outsider like her grandmother. Elin and her friend Benny, both impacted by Daniel while he was alive, become entangled in the hunt for answers, while Svea has deep, dark secrets of her own.

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MY REVIEW:

Due to the craziness of our house move I’m a bit behind with this month’s book reviews, but I’m finally getting around to posting my review of The Long Water, which was one of this month’s SquadPod Featured books.

I adored The Tenderness of Wolves when I read it years ago, so I was excited when the SquadPod were offered the chance to read Stef Penney’s latest novel as one of our featured books. Set in Nordland, a valley in the Norwegian Arctic, the story centres around the disappearance of Daniel, a popular teenager in this remote valley. The story opens in May, when the snow has almost melted and school is ending for the year. The school-leavers celebrations are traditionally a time for parties, pranks and wild behaviour. Daniel is one of the popular kids and his disappearance touches everyone in this small town. It’s the talk of the village and different stories and theories quickly circulate. The police widen their search, eventually leading them to disused mine in the mountains. Human remains are discovered but they are not Daniel. This body has lain there for decades. Daniel’s disappearance soon fades into the background as the police try to decipher the identity of the body and what happened to them. In this small town where everybody knows everybody and secrets don’t stay hidden for long, how is it possible a body has lain in the mine for decades? And where is Daniel?

Cryptic, intriguing and compelling, this is a story you get lost in. Part crime fiction and part family saga, this beautifully written story showcases Ms. Penny’s masterful storytelling to perfection. She sets the scene through evocative imagery, transporting her reader to the remote Norwegian Arctic. Through the lens of these tragic events we are introduced to the inhabitants of this small, close-knit mining town. There’s a strong sense of community and everyone is embroiled in the search for answers. As events  unfold, shockwaves are felt throughout the town with family dramas, prejudices and long-buried secrets finally being revealed. 

Atmospheric, tense, moving and mysterious, this is one not to be missed. 

Rating: ✮✮✮✮✰

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MEET THE AUTHOR:

Stef Penney is a screenwriter and the author of three novels: The Tenderness of Wolves (2006), The Invisible Ones (2011), and Under a Pole Star (2016). She has also written extensively for radio, including adaptations of Moby Dick, The Worst Journey in the World, and, mostly recently, a third installment of Peter O’Donnell’s Modesty Blaise series.

The Tenderness of Wolves won Costa Book of the Year, Theakston’s Crime Novel of the Year, and was translated into thirty languages. It has just been re-issued in a 10th anniversary edition.

Five facts about SP:

1. I like snow. There is a magic in cold landscapes that compels me more than any other. I’m the ultimate armchair explorer. In my mind this is linked to my former agoraphobia. Wide open, hostile places produce in me a visceral reaction; perhaps that’s why I can’t stop writing, or reading, about them. I’m drawn to what scares me – treeless wilderness, the open sea, Space…

2. I do zero-carbon research. Unlike the protagonist of Under A Pole Star, I haven’t been to the North Pole. I have been to the Scandinavian Arctic – which is totally different – but am unconvinced that being there has made my writing about landscape any stronger (I hadn’t been before The Tenderness of Wolves). Being there normalises a place; you are struck by differences, but even more by similarities: wherever there are people, there be dentists. Still, I have great memories of Lapland: picking sour blueberries from the banks of a mountain stream; cross-country skiing and realising that I could still fall over as safely as when I was a child; watching a Japanese contestant in the Air Guitar World Championships channel Star Wars; visiting Santa’s village and meeting the man himself – and sitting on his knee – in August…

3. I’m Scottish. I have a love-hate relationship with Scotland that is shared by many Scottish exiles. Elements of this: pride in its Enlightenment thinkers, its inventiveness and internationalism; love and awe of the landscape; nostalgia for chilly Highland summers; a sneaking pride in having endured games on frozen fields, in shorts, and endless walks in scenery obscured by drizzle. Then there’s the food: deep-fried Mars bar – delicious. Deep-fried frozen pizza, on the other hand… Scotland’s a great place. I’d probably want to live in it, if I hadn’t grown up there.

4. I’m a feminist. Doesn’t need saying these days, right? Or maybe it does. Writing about a female explorer at the end of the 19th Century, I’ve been more aware of it than ever. The protagonist struggles to be taken seriously with her ambition, of course, but something else happened in the writing process I didn’t expect: it became a deeply explicit love story. This felt like a political as well as a narrative necessity; there have been far too many vague, unconvincing and plain misleading sex scenes in books and films, and it felt vital to tell the truth – and for that, “Dot, dot, dot. Afterwards” was not going to cut it.

5. I have a degree in Philosophy and Theology. It made me unemployable. In my final year, I was browsing through the job pages when I came across my perfect job – Officer for Comparative Religions in a local authority. Hurray, I thought, finally, something that suits my skill set. Then I noticed that the advert next to it was for a Senior Carrot Inspector. I looked at the date – it was April 1st. Obviously, I had to become a writer.

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