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The Aosawa Murders by Riku Onda ⭐⭐⭐⭐

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Published: January 16th, 2020
Publisher: Bitter Lemon Press
Format: Paperback, Kindle
Genre: Mystery, Psychological Thriller

Today is my stop on the blog tour for this fresh and enticing novel. Thank you to Anne at Random Things Tours for the invitation to take part and to Bitter Lemon Press for the gifted copy of this book.

SYNOPSIS:

On a stormy summer day the Aosawas, owners of a prominent local hospital, host a large birthday party. The occasion turns into tragedy when 17 people die from cyanide in their drinks. The only surviving links to what might have happened are a cryptic verse that could be the killer’s, and the physician’s bewitching blind daughter, Hisako, the only person spared injury. But the youth who emerges as the prime suspect commits suicide that October, effectively sealing his guilt while consigning his motives to mystery.

The police are convinced that Hisako had a role in the crime, as are many in the town, including the author of a bestselling book about the murders written a decade after the incident, who was herself a childhood friend of Hisako and witness to the discovery of the murders. The truth is revealed through a skillful juggling of testimony by different voices: family members, witnesses and neighbours, police investigators and of course the mesmerising Hisako herself.

The Aosawa Murders takes the classic elements of the mystery genre but steers away from putting them together in the usual way, instead providing a multi-voiced insight into the psychology of contemporary Japan, with its rituals, pervasive envy and ever so polite hypocrisy. But it’s also about the nature of evil and the resonance and unreliability of memory.

Part Kurasawa’s Rashomon, part Capote’s In Cold Blood.

MY REVIEW:

On a stormy summer’s day in 1973 the house of the prominent Aosawa family is buzzing with auspicious birthday celebrations of three generations. Friends and family fill the rooms and local residents are coming and going throughout the day. But before the day is over the house becomes a grotesque crime scene – bodies contorted into strange positions and the stench of vomit and excrement permeating the air after seventeen people are poisoned by suicide. But the police have no real clues and the two survivors aren’t of much help: the housekeeper is unconscious and Hisako, the only surviving member of the Aosawa family, is blind. 

The Aosawa Murders is an exploration of the seemingly motiveless crime, the impact it had on those who survived and the local community. It also delves into the impact of a bestselling book that was written by one of the witnesses a decade later, and tries to finally get to the truth of what happened that dreadful day. 

The complex story is told over three decades using various styles and literary devices, each chapter told by a different witness in a very different and distinctive voice. The interviews in particular add to the mysterious atmosphere as we only ever read the responses. This singular novel is written like a work of non-fiction and reads so authentically that I had to keep reminding myself that I was reading fiction rather than a true crime novel.  

Though there are an array of characters in the book the primary focus is on two female characters: Hisako Aosawa, the twelve year old who was the only surviving family member, and Makiko Saiga, her friend and later the author of the book about the murders. Rumours have always swirled around Hisako as she was the only person in the house that didn’t take a sip of poison, even after a mentally ill young man committed suicide and left behind a confession and evidence that he committed the crime. Both women are enigmatic characters that stay away from the limelight and have left lasting impressions as a result of the crime that are examined throughout the book. 

The Aosawa Murders is a unique, fascinating and riveting novel. The author’s hypnotic imagery and prose made it impossible to put down, even managing to add an element of beauty in the grim, heart-rending torture of the victim’s final moments. Nothing is black and white, but full of shades of grey, the author keeping things ambiguous and cryptic so the reader is always questioning the truth and unsure what to think. Part of the brilliance of this book was that I never managed to quite make up my mind about what had really happened and am still questioning the truth about that fateful day. 

I would highly recommend this book, especially if you enjoy true crime novels such as In Cold Blood. It is the author’s first book to be translated into English and I’m hoping her others are translated soon so I can see if they’re as addictive as this one. 

Riku Onda Author Pic

ABOUT THE AUTHOR:

Riku Onda, born in 1964, is the professional name of Nanae Kumagai. She has been writing fiction since 1991 and has won the Yoshikawa Eiji Prize for New Writers, the Japan Booksellers’ Award, the Mystery Writers of Japan Award for Best Novel for The Aosawa Murders, the Yamamoto Shūgorō Prize, and the Naoki Prize. Her work has been adapted for film and television. This is her first crime novel and the first time she is translated into English.

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Real Life by Adeline Dieudonné ⭐⭐⭐⭐

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Publisher: World Editions
Published: February 13th, 2020
Format: Paperback, Kindle
Genre: Coming-of-Age Fiction
Trigger Warning: Domestic Abuse.

Welcome to my stop on the blog tour for this fantastic debut novel. Thank you to Anne at Random Things tours for the invitation to take part, and World Editions for the gifted copy of the book.

SYNOPSIS:

Translated from the French by Roland Glasser.

At home there are four bedrooms: one for her, one for her little brother Sam, one for her parents, and one for the carcasses. Her father is a big-game hunter, a powerful predator, and her mother is submissive to her violent husband’s demands. The young narrator spends her day s with Sam playing in the shells of cars dumped for scrap and listening out for the melody of the ice-cream truck, until a brutal accident shatters their world.

The uncompromising pen of Adeline Dieudonné wields flashes of brilliance as she brings her characters to life in a world that is both dark and sensual. This breathtaking debut is a sharp and funny coming-of-age tale in which fantasy and reality collide.

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MY REVIEW:

“There are things you can’t accept. Otherwise you die.”

A powerful and affecting coming-of-age journey with elements of fantasy, Real Life explores the dark truths of growing up within a home laden with violence and fear, and the results of a life lived without love or guidance from those who should protect you. 

Our unnamed protagonist is a jaded young girl who lives at home with her parents and younger brother Sam, who she adores.  Their home is a malignant place, filled with the constant threat of her father’s wrath and their attempts to avoid it. She is indifferent towards her mother, who she refers to as an amoeba, seeing her as weak for living this life and not protecting or comforting her children. It is just her and Sam against the world. So when a tragic accident rips them apart and her brother becomes unreachable, a mute ‘robot’ who then slowly morphs into a sadistic young boy who seems to feel nothing unless he’s terrorising others, she feels like she’s lost everything and becomes obsessed with finding a way to go back in time and save her brother from this dark fate.

“Nothing made sense anymore. My reality had dissolved until a vertiginous void from which I saw no way out. A void so palpable I could feel its walls, its floor, and its ceiling tightening around me.”

The story takes place over five years, beginning the summer of the accident. During this time the protagonist goes from a girl of ten to a young woman of fifteen who has seen more than anyone her age should ever have to see. She’s scarred by the toxic life she’s been forced to live and the horror she witnessed that first summer, and is fighting to find a way back to when she felt happy and she and Sam were everything to each other. Along the way she discovered a talent and passion for science and is trying to both understand and hide the changes brought to her body through puberty. She slowly sees a shift in her father as he notices these changes and begins to see her as a target for his rage just like her mother, while the changes in Sam bring the pair closer together and our protagonist learns to fear her brother too. From the start of the book there are distressing scenes of domestic abuse. The fear and terror jumps from the page as they talk about having to tip-toe around him and feeling like they can only breathe when he’s not there.

There is a mythical element to the story that is provided by how the protagonist sees the change in Sam; she believes that an evil being has taken up residence inside him and that his sadistic behaviour is at its bidding. This adds a mythical element to the story as well as highlighting how young she is at the time the story starts. She truly believes she will one day succeed in travelling back in time to save her brother and it becomes her only focus. Despite my rational mind knowing this isn’t possible, I was willing her to succeed and have some much- deserved joy and happiness in her life. 

Real Life is a superb and wonderfully written debut. The punchy, offbeat prose is compelling, insightful and raw. It makes it impossible to pull yourself away. I needed to know where this was heading, if she would save Sam and what would become of her. Unflinching and uncompromising, Harrowing and heart-rending, but with an indomitable hope running through its veins, this is a story that will stay with me.

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ABOUT THE AUTHOR:

Adeline Dieudonné was born in 1982 and lives in Brussels. A playwright and short-story writer, her first novella, Amarula, was awarded the Grand Prix of the Fédération Wallonie-Bruxelles. Two further booklets were published by Editions Lamiory in 2017: Saule dans le noir and Bonobo Moussaka. Real Life was recently awarded the prestigious Prix du Roman FNAC, the Prix Rossel, the Prix Renaudot des Lycéens, and the Prix Filigrane, a French prize for a work of high literary quality with wide appeal. Dieudonné also performs as a stand-up comedian.

Ronald Glasser is an award-winning translator of French literature, based in London.

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